>We were discussing Holocaust education on child_lit, and a member forwarded an outline of her temple’s planned seventh-grade Holocaust unit, which included a showing of Schindler’s List. The outline noted, parenthetically, that “sexual content will be edited out.” I thought of that this weekend when Richard and I saw The Black Book, a racy thriller from the director of Basic Instinct about a Dutch Jewess who gets involved in the Resistance after she sees her family shot by Nazis. When the Resistance head insinuatingly asks our heroine how far she’s prepared to go in pursuit of bringing down a powerful German commander, I fully expected her to answer “at least as far as Sharon Stone did,” and sure enough, we see her bottle-blonding her pubes as well as her head. It’s an awfully dumb (R and I are divided on whether this was intentional) movie, with improbable escapes, melodramatic music, and lots of shots of the heroine stealthily, perkily, cutting her eyes from side to side as she enters yet another forbidden room or darkened alley. Very Alias meets Perils of Pauline. And very teen-friendly with its surfeit of sex and flesh, furious brain-spattering gun battles and double-crossing action-packed plot–there’s even a nod to teen movie classic Carrie in one of the heroine’s more disgusting humiliations.
It’s certainly not a learn-about-the-Holocaust movie in the way that Schindler’s List was. But the flaw of that movie was the way it wore its virtue on its sleeve, and the way it seemed to applaud its viewers for watching it: I felt like I was being congratulated for being a Morally Serious Person Made Even Better for watching it. This heavy handedness is also what makes it a high-school required-viewing staple, because there’s no chance kids will miss the message. Black Book offers the same message but, daringly or dumbly, packages it in an entertainment; Schindler’s List feels more like going to church (irony acknowledged). Compare and contrast–there’s a high school term paper I would have loved to write!