Five questions for Lois Ehlert

lois ehlert Five questions for Lois EhlertLois Ehlert started illustrating books in the 1960s and hit the big-time in 1989 with the now-classic Chicka Chicka Boom Boom (Simon, 2–5 years), written by Bill Martin Jr and John Archambault, and Color Zoo (Lippincott, 2–5 years), which was given a Caldecott Honor. In 2006 she received the Boston Globe–Horn Book Award for Leaf Man (Harcourt, 4–7 years). When we spoke on the phone, the entire country was experiencing a polar vortex and Milwaukee, where she lives a few blocks from windy Lake Michigan, was expecting a high of -2°F.

1. The Scraps Book: Notes from a Colorful Life (Beach Lane/Simon, 4–7 years) is your third book about growing up to become an artist. In what ways is it different from Under My Nose (Richard C. Owen, 6–9 years) and Hands (Harcourt, 5–8 years)?

LE: Well, the format is different. It’s more of a collage, scraps of my life (and scraps of paper). This book is directed at slightly younger readers, especially those who know they want to be an artist, even when they’re six years old!

2. All of your books use collage of some kind — solid-colored paper in Chicka Chicka Boom Boom, painted paper in Feathers for Lunch (Harcourt, 4–7 years), found objects in Snowballs (Harcourt, 4–7 years). Why do you think collage is the right medium for you?

LE: Throughout my life I have also been a seamstress and created a lot of fiber pieces so I have a natural tendency to touch things. It was very easy for me to transition from fabric to handmade paper, which is also just really detailed fiber. The other part of it, I think, is my eye toward recycling and revisiting and reusing things.

Some people think of collage as just pieces of paper. Sometimes I use handmade paper and sometimes I paint watercolor on the paper and then cut it out. Other books, like Snowballs, use real three-dimensional objects. For Red Leaf, Yellow Leaf (Harcourt, 4–7 years), I literally had to wire a tree branch onto the paper and then over-paint it. I don’t think I would ever do that again.

ehlert scraps book Five questions for Lois Ehlert3. Do you ever get paper cuts?

LE: Oh, gosh, yes. I’m dealing with one on my right thumb now. It’s really hard to work when you have paper cuts.

4. What does your work area look like right now?

LE: I usually tell kids that I make a lot of mistakes, so I have a very full and overflowing wastebasket. I’m working on a new book called Holy Moly and it has a lot of worms in it. There are worm-shaped pieces of paper all over the floor. Last night I found a paper worm stuck to the bottom of my shoe.

On my table there are six pairs of scissors. I like large scissors like the Fiskars shown on the cover of Mice (written by Rose Fyleman; Beach Lane, 4–7 years). I don’t use small pointy scissors, even for tiny pieces of cut-outs. I’m making a collage out of smaller collages as a thank-you note. I’ve got leftover color xeroxes, too. I never throw them away because I can use them to make postcards. Recycling the recycled pieces. My parents lived during the Great Depression when reusing was a necessity, so some of that rubbed off on me.

5. So many of your books are about being outdoors — Planting a Rainbow (Harcourt, 4–7 years), Leaf Man, Feathers for Lunch, to name a few. But your collages have to be created indoors away from the wind. Do you go outside for recess every day?

LE: Almost every day, but not if it’s really icy. Most days I do go out — even today — because it’s where I find a lot of my art supplies.

From the March 2014 issue of Notes from the Horn Book.

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Lolly Robinson About Lolly Robinson

Lolly Robinson is the designer and production manager for The Horn Book, Inc. She has degrees in studio art and children's literature and teaches children's and adolescent literature at Harvard University's Graduate School of Education. She has served on the Caldecott and the Boston Globe-Horn Book Award committees.

Comments

  1. Wonderful interview with an accomplished artist. All my classes have always loved COLOR ZOO and COLOR CIRCUS, and RED LEAF YELLOW LEAF is an autumnal favorite. Obviously her books serve as a teaching tool as well as an aesthetic immersion.

  2. I’ve always loved Lois’s work. The shapes, colors, patterns – love it all! Great interview – thanks Lolly Robinson!

  3. Lois Ehlert signed a copy of Eating the Alphabet for me at the Brookline Booksmith in 1990. She signed her name over the gooseberries after asking me to choose a favorite food. I will never forget meeting this stately woman in person after falling in love with her art. She’s been such an inspiration that I preordered Sraps and picked it up the day it came out. It is the perfect gift book. Kudos to Horn Book for putting it in their illustrators issue. Who doesn’t love Lois Ehlert?

  4. I love when you ask her if she goes out for recess! So Lolly! These are not books I know well, having taught older kids. I’ll go hunt them down on my next library trip.

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