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	<title>The Horn Book &#187; Donald Crews</title>
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		<title>Studio Views: Ticonderoga #2</title>
		<link>http://www.hbook.com/2012/11/authors-illustrators/studio-views-ticonderoga-2/</link>
		<comments>http://www.hbook.com/2012/11/authors-illustrators/studio-views-ticonderoga-2/#comments</comments>
		<pubDate>Mon, 26 Nov 2012 18:51:02 +0000</pubDate>
		<dc:creator>Donald Crews</dc:creator>
				<category><![CDATA[Authors & Illustrators]]></category>
		<category><![CDATA[Creating Books]]></category>
		<category><![CDATA[1990s]]></category>
		<category><![CDATA[classic HB]]></category>
		<category><![CDATA[HBMMar98]]></category>
		<category><![CDATA[Horn Book Magazine]]></category>
		<category><![CDATA[Picture book month]]></category>
		<category><![CDATA[studio views]]></category>

		<guid isPermaLink="false">http://www.hbook.com/?p=18754</guid>
		<description><![CDATA[<p>My hands-down favorite medium would have to be graphite or lead, the core of a pencil, the material that makes the marks on paper. Lead makes the words, images, idle thoughts (doodles), specific information — crucial and otherwise — visible. With the lead from a pencil I can make thin delicate words and lines, bold [...]</p><p>The post <a href="http://www.hbook.com/2012/11/authors-illustrators/studio-views-ticonderoga-2/">Studio Views: Ticonderoga #2</a> appeared first on <a href="http://www.hbook.com">The Horn Book</a>.</p>]]></description>
			<content:encoded><![CDATA[<p><img class="alignleft size-full wp-image-19061" title="picturebookmonth_square_200x200" src="http://www.hbook.com/wp-content/uploads/2012/10/picturebookmonth_square_200x200.jpg" alt="picturebookmonth square 200x200 Studio Views: Ticonderoga #2" width="200" height="200" />My hands-down favorite medium would have to be graphite or lead, the core of a pencil, the material that makes the marks on paper. Lead makes the words, images, idle thoughts (doodles), specific information — crucial and otherwise — visible.</p>
<p><img class="size-full wp-image-18730 alignright" title="tools_ticonderoga" src="http://www.hbook.com/wp-content/uploads/2012/10/tools_ticonderoga.jpg" alt="tools ticonderoga Studio Views: Ticonderoga #2" width="43" height="516" />With the lead from a pencil I can make thin delicate words and lines, bold solid black forms, and wispy, smooth gray shadings. All with the same soft lead. Everybody can, anybody — no experience necessary. Everybody can do it, from the very beginning, right out of the box.</p>
<p>Any pencil will do, but my absolute favorite would have to be a TICONDEROGA #2, brand new (they don’t last long) and freshly sharpened. Golden yellow (Cadmium yellow), six-sided, with yellow and green ferrule, and at one end a pink eraser.</p>
<p>Sharpening a new pencil, cutting away the wood to get at the lead, was, at first, very conservative: a hand-held sharpener with one or more hobs for various thickness of pencil. A little later on, and more interesting and bold: a penknife (a non-threatening, pencil-sharpening-only penknife). More limiting: a wall- or desk-mounted hand-turned apparatus.</p>
<p>Up/down, side/side, cross/cross, scribble/scribble, swirl, and then smudge/smudge with a thumb or finger. A wonderful way to make marks on paper. Spare use of the eraser preserves it and avoids losing some potentially useful bit.</p>
<p>Number two is a degree of lead soft enough for most of my needs, but if I must have a very bold, extra-black image for a dog or a train in a tunnel or the night sky, only an EBONY VERIBLACK will do. The whole pencil is black, the lead very soft with unparalleled smudge-ability.</p>
<p>Sketching, note-taking, list-making using a lead pencil in sketchbooks, on envelopes, and on bits of paper of every size and description is a necessary, useful, and pleasurable part of my life. Finding a bit of an old pencil note or sketch, no matter how cryptic, can bring entire events into focus.</p>
<p>Never-used lead pencils also have their place. I often come across pencils in my drawer that say Grand Rapids, Michigan; Bismark, North Dakota; Meteor Crater, Arizona; Mississippi State University. I’m sure the lead in any of these pencils would produce very satisfactory images, but I can’t bring myself to spoil the typography in order to use them. So I’ll just sharpen another TICONDEROGA #2 and get busy.</p>
<p><em>This article is part of our <a href="http://www.hbook.com/tag/picture-book-month/">Picture Book Month</a> 2012 coverage.</em></p>
<p>The post <a href="http://www.hbook.com/2012/11/authors-illustrators/studio-views-ticonderoga-2/">Studio Views: Ticonderoga #2</a> appeared first on <a href="http://www.hbook.com">The Horn Book</a>.</p>]]></content:encoded>
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