About Leonard S. Marcus

Leonard S. Marcus is, most recently, the editor of Maurice Sendak: A Celebration of the Artist and His Work and the author of Randolph Caldecott: The Man Who Could Not Stop Drawing (Foster/Farrar).

An Interview with Frances Foster

In the September/October 2003 Horn Book Magazine, Leonard S. Marcus interviewed longtime editor Frances Foster, head of Frances Foster Books, an imprint of Farrar, Straus & Giroux.  Leonard S. Marcus: How did you come to be a children’s book editor? Frances Foster: I came to New York on the rebound, following a wonderful but unreal […]

An Interview with Neal Porter

neal porter

Neal Porter launched his thirty-five-year-long publishing career in 1979 when he assumed the post of director of library services and academic sales at Farrar, Straus and Giroux, where William Steig, Maurice Sendak, and Madeleine L’Engle were among the brightest stars on an extraordinary list. Porter went on to hold editorial and executive positions at Macmillan, […]

Northward Bound: The Picture Book Art of Isol

isol

The Astrid Lindgren Memorial Award in children’s and young adult literature was presented this year to a writer/illustrator whose work is just becoming known in the United States, the Argentinian picture book artist Marisol Misenta, or Isol. The Lindgren prize, or ALMA, was established in 2002 to honor the memory of the author of Pippi […]

Show and Tell: Curating “The ABC of It: Why Children’s Books Matter”

why childrens books matter

Not quite two years ago, The New York Public Library asked me to curate an exhibition about children’s books for its central  gallery, the grand 4,500-square-foot space that lies just beyond the Library Lions (the main Fifth Avenue entrance-way) and Astor Hall. I would have a research assistant, a work area, my choice of designers, […]

An Interview with Walter Lorraine

biggest bear

The multifaceted Walter Lorraine was a designer and art director at Houghton Mifflin before being named Director of Children’s Books, a position he held from 1965–1995. He now heads his own imprint, Walter Lorraine Books. Leonard S. Marcus: How did you get started in publishing? Walter Lorraine: As a student at the Rhode Island School […]

Face Out: Picture Book Covers

Puss in Boots

A recent conversation about the current state of the picture book soon came around to the subject of book jackets. A senior art director in the group noted mournfully that as jacket designs have increasingly become the province of sales and marketing teams, covers have grown less representative of the books they trumpet. The disconnect […]

Give ‘Em Helvetica: Picture Book Type

The Stinky Cheese Man

Type — the formal language of the printed word — speaks to us in mysterious ways. It’s not always clear just what type is saying, or how our reading experience is enhanced or undermined, however subtly, by slight variations in point size (the overall dimensions of the type), or the thickness and proportions of an […]

Medium Cool: Talking about e-Books with Dan Yaccarino

Dan Yaccarino

Dan Yaccarino has an aficionado’s old-fashioned regard for picture-book artistry and a techno-geek’s new-fangled fascination with screen-based storytelling. He has illustrated more than thirty children’s books and is the creator of the Nick Jr. television series Oswald and the Emmy Award–winning Willa’s Wild Life, which currently airs on NBC and Qubo. Having recently played an […]

It’s My Party: An Interview with Maurice Sendak

SendakMaurice

Loosely based on a two-minute animation Sendak created with Jim Henson for Sesame Street in 1971, Bumble-Ardy revisits his long-standing preoccupations with childhood outsider-hood and saving-grace resilience, but with a new twist of extravagance taken straight from the operatic playbook of Giuseppe Verdi. We talked about all this at the artist’s kitchen table in a conversation recorded on May 12, 2011.

An Interview with George M. Nicholson

George M. Nicholson introduced and popularized high-quality paperback publishing for young people in the United States. He ran a number of major houses before foundling a new career as an agent, remaining throughout an innovative, knowledgeable, and influential figure in the children’s book industry. LEONARD S. MARCUS: How did you come to work in children’s […]