I’m not a teacher, a day-care provider, a doctor, or an educational administrator. I have neither statistics nor formulas to deliver. I’m a parent. I’m a writer and illustrator. And I’m a reader. I have instinct and intuition — that’s it. Today, I’m going to try to answer a couple of questions. How does a […]
Writing a book for young people? Look here for information, advice, and inspiration.
Picture This: Perception and Composition by Molly Bang; illus. by the author Intermediate Bulfinch/Little 141 pp. 9/91 Paper ed. 0-8212-1855-7 $12.95 With a forward by Rudolf Arnheim. If I could buy only one book this year, this would be the one. If I could take only one book on a long cavation, this would be […]
In 1919, when Louise Seaman Bechtel became the nation’s first children’s book editor, at Macmillan, her customers-in-waiting were chiefly children’s librarians. One specialty had bred another; now, one editor would follow another. Many of those new children’s book editors came from the ranks of children’s librarians. The story of two of them, the first two […]
In the September/October 2003 Horn Book Magazine, Leonard S. Marcus interviewed longtime editor Frances Foster, head of Frances Foster Books, an imprint of Farrar, Straus & Giroux. Leonard S. Marcus: How did you come to be a children’s book editor? Frances Foster: I came to New York on the rebound, following a wonderful but unreal […]
By Peggy Sullivan A three-story red brick house in midtown Washington serves as way-station to a collection of first editions of children’s books, manuscripts, illustrations, and many other related items. All these materials are forwarded in time to the University of Minnesota. Here they become a part of the Kerlan Collection, housed in its own […]
We have all seen book covers we don’t like. Some suffer from unfortunate aesthetics, being too busy, poorly rendered, or just plain dull, deterring readers with their intimations of boredom within. Others misrepresent the text they introduce, unintentionally or deliberately promising a book they can’t deliver. The offense of a bad book cover feels especially […]
Neal Porter launched his thirty-five-year-long publishing career in 1979 when he assumed the post of director of library services and academic sales at Farrar, Straus and Giroux, where William Steig, Maurice Sendak, and Madeleine L’Engle were among the brightest stars on an extraordinary list. Porter went on to hold editorial and executive positions at Macmillan, […]