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From the March/April 2007 issue of The Horn Book Magazine

Editorial
The World in 534 Pages

ike Jonathan Hunt (see the “Borderlands” column in this issue, pages 141–147), I was betting that the Printz Award for young adult literature would go this year to either Markus Zusak for The Book Thief or M. T. Anderson for The Astonishing Life of Octavian Nothing, and I was as surprised as anyone when it went instead to Gene Luen Yang’s American Born Chinese, a graphic novel.

And so another genre finally becomes recognized by a major children’s-book prize. (And so once again we learn there are no sure bets, either.) While the ALA award committees are charged with choosing the “best” or “most distinguished” rather than the most novel or pioneering, it is a happy confluence when a committee’s choice also serves to expand the boundaries of its prize. When it stretches, so must we.

As I write on page 173, I hope that Brian Selznick’s The Invention of Hugo Cabret gives our prize committees a workout. A book whose story is told through both pictures and words, where neither is comprehensible without the other, Hugo Cabret might seem perfectly eligible for Caldecott consideration — but at more than two inches thick, it’s no “world in thirty-two pages,” Barbara Bader’s apt summation of the picture book form. And because the Newbery committee must look just at the words (pictures being relegated by the rules to distractions), Hugo Cabret will look even more puzzling than it means to be. Not to add yet another prize to the burgeoning roster of book awards, but Hugo Cabret makes me wish we had a medal for page-turns, for a book whose canny use of its own limitations becomes part of the storytelling itself. A page-turn can be a surprise sprung by the reader, a powerful narrative element that physically involves us in the story. It tells us what power is particular to books. As far as I can figure, the printed book is the only medium that requires such a manipulation of gravity and that asks us, repeatedly, to go on.

Roger Sutton

From the March/April 2007 issue of The Horn Book Magazine


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