Studio Views: Sharpie Markers to the Rescue

Picture Book Month at the Horn Book

Markers for art were a happy surprise. I was a pre-marker child and learned to draw and color with crayons. Markers were for addressing packages. Until Best Friends Think Alike, I illustrated my picture books with watercolor and black ink in a technical pen. In designing each of my books, I try to match method [...]

To Get a Little More of the Picture: Reviewing Picture Books

Snow White trans. by Randall Jarrell

“It is only in childhood that books have any deep influence on our lives.” — Graham Greene “Any book which is at all important should be reread immediately.” — Schopenhauer The management has suggested that I review picture book reviewing. “Feel free to rant about its sorry state.” I also feel wary, as I did [...]

Making Picture Books: The Words

The Hating Book

By Charlotte Zolotow The beginning of a picture book comes before the pictures. In Margaret Wise Brown’s beautiful Goodnight Moon, it was the magic of her words, their simplicity and the music in them, that made Clement Hurd’s now-famous visual interpretation possible. Unless the writer is also an illustrator, the writing always comes first. Many [...]

Making Picture Books: The Pictures

cooney_miss rumphius

By Barbara Cooney I don’t know exactly how I came to be an illustrator of books. Certainly much art throughout the ages has been in the form of illustration, although not necessarily in books. Since I was very little, I intended to be an artist of some sort. As I grew older, I wanted also [...]

Design Matters

sciesz_hen

By Jon Scieszka Designed by Molly Leach [original print version] Design is an essential part of any picture book. It is the first aspect of a book that a reader judges. It is the framework for the text and illustration. It is the subtle weave of words and pictures that allows both to tell one [...]

Studio Views: Why I Use Oil Paints So Much

I like to think that the story I’m illustrating tells me what medium to use on it. And I have used quite a few materials over the years. But there does seem to be a preponderance of oil paints on the roster. Could this represent an actual preference on my part? I’ve had to sit [...]

Writing Backward: Modern Models in Historical Fiction

My Brother Sam is Dead

I expect we can all agree that historical fiction should be good fiction and good history. If we leap over the first briar patch by calling good fiction an “interesting narrative with well-developed characters,” we are still left with the question of what is good history. Alas, there are nearly as many thorns here as [...]

Have Book Bag, Will Travel: A Practical Guide to Reading Aloud

Goodnight Moon

By Mary M. Burns and Ann A. Flowers Suddenly, literacy is a hot topic. While definitions may vary, there is general agreement that it’s a good thing, and the more of it, the better. The problem seems to be discovering how to nurture it. Because Americans incline toward Puritanism when faced with self-improvement, the process [...]

“Look”

by Lois Lowry My oldest child, a daughter, remembers that when she was three, and we lived in Cambridge, Massachusetts, while her father was a law student, she often walked with me to a nearby grocery store. She tells me that there were letters painted in the street at the corner where we stopped and [...]

“Accumulated Power”

By Margaret Mahy When I was a child, books published in the U.S. were difficult to come by in New Zealand, dominated as it was by its trading relationship with Britain. But by the time I came to read to my daughters, the publishing world had changed. I was able to read them Blueberries for [...]