Studio Views: Erasing Pictures

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I was asked recently to describe the way I paint pictures for picture books. I was very surprised by this request because I thought that by now every soul in America had either read about, heard, or seen me and my amazing little art demonstration, in which I show exactly how I make the pictures […]

Studio Views: Paperies and Trash Cans

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I love paper. It doesn’t matter where it comes from as long as I can touch it. This causes my boyfriend no end of consternation. “Don’t touch that!” he’ll screech as I spot something sticking out of somebody’s trash container. “You don’t know where it’s been!” For me, it doesn’t matter where it’s been, as […]

Studio Views: Watching for Accidents

sv_meade_scissors

The boards of my studio floor are strewn with scraps of paper like so many flower petals let go from their stems following an abrupt wind. The eye of that wind storm is where I like to work. The discarded pieces of paper swirl to the floor and make a lovely mess around my feet, […]

Studio Views: My Favorite Medium

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I asked Martha what her favorite medium was, and she said: “Medium-rare, although rare, medium, and well-done are all perfectly acceptable.” My favorite medium is the pencil. I love the pencil. It feels like a natural extension of my hand. I’m comfortable and confident with a pencil. But not just any pencil. My pencil is […]

Studio Views: Why I Use Oil Paints So Much

sv_zelinsky_paint

I like to think that the story I’m illustrating tells me what medium to use on it. And I have used quite a few materials over the years. But there does seem to be a preponderance of oil paints on the roster. Could this represent an actual preference on my part? I’ve had to sit […]

Studio Views

Studio Views

Thirteen picture book artists talk shop in these pieces about tools and techniques.   “Family Albums” by Margaret Miller “My Next Medium” by Chris Raschka “The Sculptural Quality” by Arthur Geisert “Tiny Pieces of Paint” by Peter Sís “Ticonderoga #2″ by Donald Crews “Pulp Painting” by Denise Fleming “Sharpie Markers to the Rescue” by Lynn […]

News from Down Under: Turning Heads

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Picture books for older readers. The topic is a hot one in Australia, particularly in regard to the Book of the Year Awards. Should this art form be judged shoulder to shoulder with the more traditional picture book for a very young child? Who reads these books, anyway? As the controversy whirls on, however, the […]

Dear Clueless: The Rejection Letters of Edna Albertson

By Peter D. Sieruta The successful publication of Dear Genius: The Letters of Ursula Nordstrom, collected and edited by Leonard S. Marcus and published by HarperCollins, has sent researchers on a veritable panty raid of publishers’ archives in hopes of illuminating another era of literary history through the correspondence of a noted figure in the […]

Russell Freedman Wilder profile

By James Cross Giblin Russell Freedman might well have had a successful career in broadcast journalism, following in the footsteps of reporters like Edward R. Murrow. His deep, rather solemn voice, lightened by frequent touches of humor, makes him a compelling speaker. One attendee at a recent Clarion sales conference, hearing Russell present his latest […]

Writing Backward: Modern Models in Historical Fiction

My Brother Sam is Dead

I expect we can all agree that historical fiction should be good fiction and good history. If we leap over the first briar patch by calling good fiction an “interesting narrative with well-developed characters,” we are still left with the question of what is good history. Alas, there are nearly as many thorns here as […]