Some on the ALSC listserv are complaining that a new ALA poster lacks ethnic diversity. (If you squint you can see two kids of color in the background.) But the poster is based on Beverly Cleary’s major characters (white people all, yes?) as seen in their latest editions, illustrated by Tracy Dockray. As black-and-white illustrations within the books, Dockray’s drawings are serviceable but bland; on this poster they look generic and thus, I think, the complaints. Dockray’s illustrations have not taken enough hold that people look at this poster and think, “ah, Ramona!” They just see (mostly) white people, so the slogan “Libraries are for everyone!” seems a little optimistic.

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Years before I had this job, I remember listening to Anita Silvey worry over writing the HB editorial and while I made all the polite responses, inside I was thinking really, how bad could it be? It’s only six times a year. I have apologized to Anita for this, publicly and in my head, many, many times in the last fifteen years.

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I was sad to hear that Judy Krug, ALA’s longtime boss-lady for intellectual freedom, has died. She was quite a force, an irresistible one to be sure, with that unbeatable combination of an iron will and tons of charisma. Years ago I interviewed for a job with her and was completely intimidated.

I’ll be in Ohio for the next couple of days for the Media Source board meeting, where I have to do my first Power Point presentation. Just two slides, thank goodness. Has anyone read Edward Tufte’s broadside against the medium? Here’s an appropriately formatted outline of his points.

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the finished book:

Deirdre Baker has some pertinent thoughts (from “Musings on Diverse Worlds,” Horn Book Magazine, January/February 2007):

In some cases, where the politics of inclusivity is not in the foreground of the story, the racial attributes of nonwhite heroes are rendered virtually invisible. Both Ged of Ursula K. Le Guin’s Earthsea series and Eugenides of Megan Whalen Turner’s The Thief and sequels are described explicitly as “dark-skinned.” Indeed, in conversation Turner has said that the images in her head of the Eddisians were “deeply influenced by the people of the Himalayas.” But the brown skins of Ged and of Eugenides are downplayed by the books’ current cover art, which shows Ged to be as bronzed as a white surfer (The Tombs of Atuan, 2001 edition) and Eugenides to have a noticeably pink and white complexion (The King of Attolia, 2006). While the texts give nonwhite readers the opportunity to see themselves reflected in these heroes, the cover art is telling them something else.

I’m glad this cover art changed its mind!

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