Publications about books for children and young adults
In international news, French President François Hollande announced today that in gratitude for our loan of Elizabeth Law to La Ville-Lumière, he is sending some of his country’s most esteemed illustrateurs to New York City for a series of public pourparlers avec some of our own. Here’s the full lineup and schedule.
After winning the 2011 Caldecott Medal for A Sick Day for Amos McGee, written by her husband, Philip, Erin E. Stead returns with a second picture book, this one about waiting and planning and hope. And Then It’s Spring (5–8 years) grows out of a long friendship; see below. 1. What about Julie Fogliano’s (glorious) [...]
Dan Yaccarino has an aficionado’s old-fashioned regard for picture-book artistry and a techno-geek’s new-fangled fascination with screen-based storytelling. He has illustrated more than thirty children’s books and is the creator of the Nick Jr. television series Oswald and the Emmy Award–winning Willa’s Wild Life, which currently airs on NBC and Qubo. Having recently played an [...]
Our Salley Mavor swoon-fest continues: check out her blog post about how she created the stunning cover for the January/February 2012 issue of The Horn Book Magazine. Salley’s also offering a poster giveaway–get over there and get in on the action!
Accepting the 2011 Boston Globe-Horn Book Award for Picture Book, illustrator Salley Mavor delivered this speech on September 30, 2011. I would like to thank the Boston Globe–Horn Book selection committee for choosing Pocketful of Posies as an award winner this year. It is a great honor to have my work recognized this way, especially [...]
Although grateful for the support of publishers who place advertisements in The Horn Book, I’ve never before felt the need to direct you to such from this page. But I do so now: please go and read the advertisement on page 57 and then come back here. I’ll wait. Imagine a picture book world where [...]
Barbara Cooney came late to center stage, after decades as an illustrator admired for her graphic arts skills. But that particular accolade carried an implication, justified or not, of limitation. To succeed in a changing market, to satisfy her own ambitions, Cooney had to transform herself into a different kind of artist — a colorist [...]
