Sendak’s self-styled trilogy about children confronting and mastering fear has inspired much debate and more than a few dissertations, but generations of children have managed all on their own to “only connect” with these three masterpieces. Where the Wild Things Are (1963), Sendak’s best-known work and the 1964 Caldecott Medal Winner, has proved utterly engrossing […]
(art by Hanna Friederichs). We saw The Avengers last night–kinda long and the special effects in the last third of the movie too easily betrayed their origins, but it was diverting. I liked Thor more. As a child, I found the Marvel Comics universe a cooler and harsher place than Superman’s DC world, and on […]
R and I are off to the state of my birth tomorrow, visiting Maurice Sendak and his “Sendak fellows” in Ridgefield, Connecticut. The four fellows, picture-book artists all, spend a month working in a house next to Sendak’s as they are filmed for the reality series Bunny Eat Bunny. Watch the contestants feud over gouache! […]
Loosely based on a two-minute animation Sendak created with Jim Henson for Sesame Street in 1971, Bumble-Ardy revisits his long-standing preoccupations with childhood outsider-hood and saving-grace resilience, but with a new twist of extravagance taken straight from the operatic playbook of Giuseppe Verdi. We talked about all this at the artist’s kitchen table in a conversation recorded on May 12, 2011.