I was of course kidding when I characterized the Sendak Fellowship as a reality show, but there are some aspects of it that are similar. Four people whose only things necessarily in common are talent and an interest in creating picture books share a large house for a month. They also share access to an […]
R and I are off to the state of my birth tomorrow, visiting Maurice Sendak and his “Sendak fellows” in Ridgefield, Connecticut. The four fellows, picture-book artists all, spend a month working in a house next to Sendak’s as they are filmed for the reality series Bunny Eat Bunny. Watch the contestants feud over gouache! […]
Loosely based on a two-minute animation Sendak created with Jim Henson for Sesame Street in 1971, Bumble-Ardy revisits his long-standing preoccupations with childhood outsider-hood and saving-grace resilience, but with a new twist of extravagance taken straight from the operatic playbook of Giuseppe Verdi. We talked about all this at the artist’s kitchen table in a conversation recorded on May 12, 2011.
Bumble-Ardy made its first appearance back in 1971 as an animated short on Sesame Street featuring a boy who invited pigs to his ninth birthday party. Forty years later, the story makes its picture book debut, and Sendak has made some significant changes: all the characters are now pigs, and a prologue describes how Bumble-Ardy’s family neglected him for his first eight years and then “gorged, and got ate.”
>. . . well, I don’t know what to think of the new Spike Jonze movie but luckily Claire does and she tells you here.
>The Horn Book offices will be closed this afternoon as the staff is making a field trip to see Where the Wild Things Are.
In July 2003, Horn Book Editor Sutton talked with the artist in his Connecticut home in a conversation that covered life and death, ego and excavation, dreams and nightmares, Melville and Homer, and . . . plankton. ROGER SUTTON: Last night on that show “Queer Eye for the Straight Guy,” one of the makeover experts […]
A second look at Where the Wild Things Are? Forty years after Maurice Sendak’s early mid-career masterpiece first appeared on the fall 1963 Harper list, the suggestion still feels premature. Turning to the book now, the most striking thing about it remains its undatable, fresh-as-paint immediacy. However familiar the Sendak images have long since become, […]