Last year, I went to Maurice Sendak’s house to spend a day with the Sendak Fellows, four artists who were given time and studios to work on any project they desired, as well as access to Maurice for advice and encouragement. So who better to talk about his legacy? I asked each Fellow “what’s the […]
(art by Hanna Friederichs). We saw The Avengers last night–kinda long and the special effects in the last third of the movie too easily betrayed their origins, but it was diverting. I liked Thor more. As a child, I found the Marvel Comics universe a cooler and harsher place than Superman’s DC world, and on […]
R and I are off to the state of my birth tomorrow, visiting Maurice Sendak and his “Sendak fellows” in Ridgefield, Connecticut. The four fellows, picture-book artists all, spend a month working in a house next to Sendak’s as they are filmed for the reality series Bunny Eat Bunny. Watch the contestants feud over gouache! […]
Loosely based on a two-minute animation Sendak created with Jim Henson for Sesame Street in 1971, Bumble-Ardy revisits his long-standing preoccupations with childhood outsider-hood and saving-grace resilience, but with a new twist of extravagance taken straight from the operatic playbook of Giuseppe Verdi. We talked about all this at the artist’s kitchen table in a conversation recorded on May 12, 2011.
Bumble-Ardy made its first appearance back in 1971 as an animated short on Sesame Street featuring a boy who invited pigs to his ninth birthday party. Forty years later, the story makes its picture book debut, and Sendak has made some significant changes: all the characters are now pigs, and a prologue describes how Bumble-Ardy’s family neglected him for his first eight years and then “gorged, and got ate.”