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Review of Trombone Shorty

andrew_trombone shortyTrombone Shorty
by Troy “Trombone Shorty” Andrews; illus. by Bryan Collier
Primary   Abrams   40 pp.
4/15   978-1-4197-1465-8   $17.95

In New Orleans parlance, “Where y’at?” means “hello.” As an opening greeting (repeated three times, creating a jazzy beat), it also signals the beginning of this conversational and personable 
autobiography. Andrews, a.k.a. Trombone Shorty, concentrates on his younger years: growing up in Tremé, a neighborhood of New Orleans known for its close-knit community and commitment to music; making his own instruments before acquiring and learning to play the trombone; practicing constantly; appearing onstage with Bo Diddley; and finally forming his own successful band. Collier’s expressive watercolor collages layer and texture each page, creating a mix of images that echo the combination of styles Andrews uses to create his own “musical gumbo.” Strong vertical lines burst from his trombone like powerful sounds, while circular shapes float through the pages like background harmonies spilling out of homes and businesses. Hot colors reflect the New Orleans climate, while serene blues are as cool as the music Trombone Shorty produces. An author’s note adds detail to the text; two accompanying photographs of Andrews as a child reinforce the story’s authenticity. Collier discusses his artistic symbolism in an illustrator’s note. Read this one aloud to capture the sounds and sights of Trombone Shorty’s New Orleans.

From the May/June 2015 issue of The Horn Book Magazine.

About Betty Carter

Betty Carter, an independent consultant, is professor emerita of children’s and young adult literature at Texas Woman’s University.

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