First, I happened upon
a message board where young readers speculated madly on how the (now-defunct) movie of
Gossip Girl should be cast. ("Yohomeboy" said "they should totally find unknown stars to play all the people cuz if they pick a old person like lindsey lohan then everyone is going to have bad thoughts about them already they should totally be new peeps who are perfect for the parts biatch not lindsey lohan!!!!")
Then I found a lengthy rumination on
the closing of the fabled Cody's bookstore on Telegraph Avenue in Berkeley:
Those were the years when just having a copy of a certain book could mark you as hip. Howl, say, or Das Kapital or Steppenwolf or The Rubyfruit Jungle or The Monkey Wrench Gang--carried face-out, of course, or read at a cafe table, it could get you kissed. Buying such a book in Berkeley infused it, and its buyer, with cachet. But books don't mean what they once did. For those who write and read and publish and sell them, that's sad. But it's reality. When street mayhem broke out on Telegraph in the first years of the new millennium, the thieves stole shoes, scooters, CDs. No one looted the bookshops.
Did Telegraph kill Cody's? Hut Landon of the Independent Booksellers' Association certainly thinks so: "I wouldn't walk that street at night." He lived on Channing and Telegraph as a student in the 1970s. "Yes, there were wackos then but they weren't aggressive," he says sadly. "They weren't all hustling me for stuff. Cody's didn't do anything wrong. Cody's was a victim of its surroundings."
Less willing to blame the neighborhood, Andy Ross speaks darkly of something subtler but more devastating: a cultural shift. They're both right, of course. It's all part of that death by a thousand cuts.
First, America's book-buying demographic changed. Yes, people still buy books, but who are they? In fact, today's customers are the same as yesteryear's--the exact same customers. They're the Rubyfruiters and Monkey Wrenchers of yore; they simply grew up. They're now parents, homeowners, above-average earners. The typical American bookbuyer is a woman thirty to sixty years old. To her, and her male counterpart, books still mean what they always did. The right book can still be a status symbol, a social signifier. But things are different now for the young, including today's Telegraph habitues. The shattering of a monoculture into myriad microcultures has made it impossible for any single book to broadcast: Behold: This is me.
What books once did, tattoos now do.
While I'm certainly hoping that a copy of
Gossip Girl doesn't say "
Behold: This is me," I'm not sure that a unicorn on the ankle says that either. As the Gossip Girl message board demonstrates, books still do offer community, even when it's one of a more populist, even manufactured, design than the
entre nous, "underground" kind that surrounds cult classics. (The article ignores the fact that those for whom
Steppenwolf worked as a pickup ploy were always part of a microculture, anyway. Anything with "cachet" always is.)
The thing that's always kept me from tattoos is their permanence. Who wants to be stuck, at fifty, with what you thought was cool in your twenties? Do people look at that yinyang thing on their shoulder and cringe? But with books, you can reinvent yourself more often than Madonna. And I think that the book-as-personal-flirtation-device still has possibilities. (It probably doesn't even matter
what you're reading, just the fact that you
are ensures a certain degree of self-selection among the passersby.) Provided said book is closed, it's certainly an invitation to talk. But even this old-fashioned strategy proves vulnerable to corporate manipulation: I'm told that Pearson/Penguin commuters have been instructed to carry a copy of the Loren Long edition of
The Little Engine That Could this Thursday in support of their company's sponsorship of
Read for the Record Day. So if your idea of a good time is someone who whispers "I think I can, I think I can, I think can," then
get yourself a copy.
