| From
the January/February 2008 issue of The Horn Book Magazine
Field Notes
Why Gossip Girl Matters
BY PHILIP CHARLES CRAWFORD
am one of those rare high school librarians who have the privilege
of working in a state-of-the-art library media center, one that
is generously funded, fully staffed, and heavily used. On an average
day we serve 1,800 patrons. Some study and research, many read and
check out materials, others catch up on e-mail or socialize with
friends. The library is the vibrant heart of our school, constantly
humming with activity.
One of the most satisfying parts of my job is seeing
teens get excited about reading. My students’ reading interests
are eclectic, ranging from Lurlene McDaniel and the Gossip Girl
series to The Onion collections and Batman: The Dark
Knight Returns to Hunter S. Thompson and Stiff: The Curious
Lives of Human Cadavers. “Old school” YA novels
such as Go Ask Alice, Killing Mr. Griffin, and
The Outsiders continue to be perennial favorites, along
with classics by Jane Austen, the Brontës, and Edgar Allan
Poe.
We have many dedicated teen patrons. During freshman
orientation this year, the avid readers in the group gleefully ran
around the library, exclaiming to one another, “I can’t
believe they have this, I’ve been dying to read it!”
— thrilled at the selection of teen and adult books that had
been deemed too “mature” for their middle-school library.
These are the kids every librarian loves, the ones who check out
a stack of books on their first day of high school and continue
to do so until they graduate. Watching their reading tastes grow
and expand over the next four years is a true pleasure.
Yet despite a diverse collection that targets teens,
some students just aren’t interested. For every teen who reads,
there are at least a couple who do not. Part of my job is to support
school-wide literacy by maintaining a collection that meets the
academic needs of all patrons. My library includes high-interest
books that I use during book talks to entice students who perform
poorly on reading tests. Many of them simply do not read, and it
is my job to help them successfully locate a book for sustained
silent reading in the classroom. As someone who grew up loving to
read, I at first struggled to understand these kids. I knew, of
course, that not all kids were great readers, but I was unaware
there were those who actually hated reading. Finding books
for these students is probably my greatest challenge.
Early this year, I was asked to help a young man
who clearly hated reading. After a little coaxing (and, on his part,
some guffawing and eye rolling), he reluctantly expressed some interest
in war stories, especially ones with lots of action, guns, explosions,
and bloodshed. So I gave him a Punisher graphic novel,
sent him back to class, and hoped for the best. His teacher reported
back to me that not only did he like the book, but it was the first
book he could ever remember reading from beginning to end.
These kids aren’t just struggling, or reluctant,
readers; they actively resist reading. It is probable that
they never had positive experiences with books and reading, either
at school or at home. For whatever reason, they never developed
that primary and fundamental connection to reading that turns beginning
readers into lifelong readers.
To help these resistant readers, I avoid stigmatizing
value judgments about reading materials. I try to change the negative
experience that occurs when resistant readers encounter books —
the immediate revulsion they feel when presented with something
they view as academic and boring. This often means putting into
their hands books that many librarians, teachers, and children’s
literature experts snub: YA problem novels, slim books about sports
figures and celebrities, graphic novels, lurid biographies of serial
killers, series fiction, comic strips, and how-to books. While many
librarians may scoff at series like Gossip Girl, Nancy Drew, Cirque
Du Freak, and Goosebumps, these books have the power to engage and
excite teens who would otherwise read nothing.
Providing students with a rich and diverse range
of high-interest materials has proven successful. I have seen countless
girls try highly accessible books like Simpsons comics
or A Child Called “It” and go on to read all
of the sequels. Some continue reading only in the same vein while
others graduate to more sophisticated series like Louise Rennison’s
books about Georgia Nicolson. This year two of my patrons, after
a steady diet of Bart and Homer and of magazines like Teen People
and Entertainment Weekly, began to expand their choices
to include problem novels and chick-lit. More important, they now
choose to spend their free time in the library. And, between socializing
with friends, they read.
Many boys begin with simple, action-oriented graphic
novels and photo-filled sports biographies before delving into more
complex works like Neil Gaiman’s Sandman books and Katsuhiro
Otomo’s Akira. Others move in the direction of satire, favoring
The Onion and America (The Book): A Citizen’s
Guide to Democracy Inaction. Manga has been wildly popular
with both male and female readers. In fact, when the new shipment
of graphic novels arrives, we have to put patrons on a waiting list
and limit the check-out time and number of titles to meet the demand.
One of my students is a low-level reader but a die-hard manga fan.
I spent a lot of time during his freshman year helping him learn
how to use the library: to find books, put materials on hold, and
request new titles. The other day his special education teacher
thanked me for helping him, informing me that both his self-confidence
and his reading scores had improved. But she missed one of the most
important parts of the equation: the books themselves. I may have
pointed him in the right direction, but it was really the stories
he discovered in the pages of Love Hina, Naruto,
and Hellsing that transformed his relationship to reading.
Once resistant readers discover the pleasures of
reading, they begin expanding their horizons. Some will never move
beyond magazines like MAD and Teen Vogue; others
will follow the reading patterns of the nation, focusing on accessible,
formulaic best-sellers. And a few will move on to books of increasing
difficulty. For me, it doesn’t really matter what
they are reading. I don’t measure success by the types of
books kids choose, only by the growing number of my students who
actively choose to read. And high-appeal books like Gossip Girl
have the potential to captivate resistant readers . . .
and, possibly, help transform them into lifelong readers.
Philip
Charles Crawford is the library director for Essex High School
in Essex Junction, Vermont, and the children’s literature
columnist for the AASL journal Knowledge Quest. |
 |
From the January/February
2008 issue of The Horn Book Magazine

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