| From
the November/December 2008 issue of The Horn Book Magazine
When e- Is for Reading
Although Amazon.com’s Kindle is not the
first handheld electronic device that has tried to create an audience
for digital books, its high-profile debut has prompted a great deal
of talk (and a good deal of thinking) about the future of reading
in an increasingly screen-based world. We asked three children’s
book colleagues — a publisher, a self-described “computer
geek,” and a teacher — to share some of their initial
impressions of What It All Might Mean. R.S.

The Universe of Meaning
BY STEPHEN ROXBURGH
love my Kindle (and most other mechanical and digital gadgets),
but let’s step away from the hardware. And, for the moment,
let’s not engage in the “death of the book as we know
it” debate. Technology is the means to an end, and not necessarily
the end of a means. Think about the fact that people still walk,
bicycle, ride horses, drive cars, take trains, and fly to get where
they are going. When we read, we have a goal in mind. We are going
somewhere. One model of reading suggests that it is a process of
decoding the surface structure of words to get to their deep semantic
structure — i.e., their meaning. The more experienced we are
as readers, the more transparent that process becomes. We lose our
awareness of the process and immediately engage the meaning. In
other words, we just go there. In Star Trekian terms, we
are instantly transported, “beaming up” from one place
to emerge in another. Once you enter J. R. R. Tolkien’s Middle-earth,
or Daphne du Maurier’s Manderley, or Anthony Trollope’s
Barchester, or T. S. Eliot’s Waste Land, you are unconscious
of the mechanism that got you there. Once you know the stock price
of Microsoft, or the definition of peregrination, or the
atomic weight of molybdenum, or Genghis Khan’s birth date,
you know it. How you got it is incidental. So, the crux of the matter
is where you want to go. Why are you going there? How quickly do
you need to get there? Are you going to hang around for a while?
Will you be going back? What’s the cost of the trip? I’ll
hang on to my Folio Club edition of Middlemarch, my tattered
paperback of Four Quartets, my Uncle Scrooge comic books,
my laptop, my iTouch, and my Kindle. If you think about it, all
media and all mechanisms have a place in the universe of meaning
— and isn’t it neat that we have so many ways to get
around in it?
Stephen Roxburgh is the founder of Front Street
Books.
 
Better Than a Suitcase
BY SHEILA RUTH
s
a reader who generally has multiple books in progress at any given
time, I can see the advantages of a device with a paperlike display
and the ability to hold hundreds of books. I carry two or three
books everywhere, in case I change my mind about what I want to
read that day, and packing for a trip generally requires a small
suitcase full of books, for fear I might run out of reading material.
There’s a new generation of e-book readers on the market that
would allow me to replace that suitcase with a device no bigger
than a trade paperback.
As a publisher of children’s books and a
children’s literature blogger, I was curious about the potential
of these devices for young readers as well. I set out to learn more
about the new
e-readers, the technology behind them, and their current use and
future potential, especially as they relate to children’s
books and young readers. I found some surprises along the way. And
the future of e-books may look very different than the present.
E-books have been around at least since 1971, when
Michael Hart digitized the Declaration of Independence and created
Project Gutenberg, a free online repository of public domain books
in electronic format. For almost that long, people have been predicting
that e-books would eventually replace the printed book. But so far,
the e-book revolution hasn’t happened: it’s true that
e-book sales have been increasing, but it’s been an evolutionary,
rather than a revolutionary, process, and most people still prefer
to read books on paper.
Handheld computers and sophisticated cell phones
were a step forward in making e-books a viable option. Their portability
and ubiquity makes them a natural for carrying around books to read.
There’s a devoted cadre of readers who use their PDAs and
other handhelds for reading e-books; Palm even has its own proprietary
e-book format. But many people find reading a book on the small
screen of such devices difficult, and bright sunlight can make some
LCD displays hard to read.
That’s where the new generation of e-book
readers comes in. These may look like something between a tablet
PC and a handheld, but they’re actually very different. To
start with, the thing that looks like a screen isn’t really
a screen, at least not like any screen currently in use. Instead,
the e-book readers use a technology called electronic ink or electronic
paper.
Imagine a sheet of paper covered with dots of ink
that can change color, and you’re approaching the idea behind
electronic ink. It consists of millions of tiny microcapsules, each
containing white particles and black particles. By applying an electronic
charge to the microcapsules, you cause either the white particles
or the black particles in each capsule to rise to the top, depending
on whether the charge was positive or negative. Reverse the charge,
and the opposite color rises to the top. When a sheet of film laminated
with electronic circuitry is then coated with the electronic ink,
the result is something resembling a sheet of paper with an image
that can be changed into infinite arrangements of black, white,
and grays.
Reading an electronic paper display is closer to
the experience of reading ink on paper than any other electronic
technology currently in use. Like paper, electronic ink is an opaque,
reflective surface requiring no backlighting, viewable in a wide
range of lighting conditions and from any angle. With a high-resolution
display and no emitted light, the electronic ink display causes
no eyestrain other than what one might normally experience from
reading a printed book. In addition, the display uses very little
energy.
There are currently three major e-readers available
in the United States: Amazon’s Kindle, Sony’s Reader,
and iRex Technologies’ iLiad. All three have an electronic
ink display, but each is implemented very differently. I tried them
out to compare their strengths and weaknesses and to assess how
they would fare as a regular replacement for books. I was able to
use the iLiad for a few weeks, which gave me the opportunity to
give it a more thorough evaluation. I spent about an hour each with
the Kindle and the Sony Reader.
The iLiad was very easy to set up and use; within
minutes of taking it out of the box I was reading books on it. In
fact, iRex Technologies has such faith in the ease of use that the
users’ guide is an e-book on the iLiad itself; the only printed
documentation is a one-page quick start guide.
Reading books on the iLiad is fairly simple. A
button clearly labeled “Books” takes you to the list
of selections. Up and down arrow keys move through the list to choose
which book you want to read. Even before looking at the quick start
guide I could see that you turn pages by toggling a long vertical
bar running up the left side of the unit.
Unfortunately, some of the advanced functions are
not so easy to figure out, and the users’ guide was necessary
to move beyond the basics. A row of icons along the bottom was difficult
to decipher, and some functions, such as deleting a book from the
unit, were not intuitive.
The iLiad comes with a stylus that can be used
to draw on the page or to annotate books — a nice feature
for those who like to make notes in the margins. The iLiad is the
only e-reader with this capability, which would be particularly
useful for students.
When I tried the Amazon Kindle, I was surprised
by how much I liked it. From the pictures I had seen, I was convinced
I would hate it; its retro design is, to my eye, quite ugly, and
the keyboard takes up too much space — the whole bottom third
of the device — leaving it with a smaller display area. However,
at 10.3 ounces, it’s lighter than the iLiad, which weighs
15.3 ounces. It’s also smaller than the iLiad and fits comfortably
in your hand. The Kindle is easy to use, and the placement of the
page-turning buttons makes it easy to turn pages with either hand.
Unfortunately, it’s also a bit too easy to accidentally turn
a page when picking up the Kindle or putting it in a backpack.
The Kindle did feel less solidly made than the
iLiad. That could account in part for the price difference: the
Kindle is (currently) $359, compared to $599 for the cheapest iLiad.
The Kindle also displays only four levels of gray, compared to the
iLiad’s sixteen levels. The iLiad’s extra shades of
gray should make a big difference in the perceived quality of images
displayed. And the Kindle doesn’t have the iLiad’s ability
to mark up books with a stylus, although the keyboard does allow
you to make notes.
The Kindle’s real strength is in its access
to and selection of books. The Kindle includes free wireless access
to Amazon’s new Whispernet network, and through the network
you have immediate access to (at this writing) over 150,000 books
from Amazon’s collection. Of these, there appear to be slightly
over 3,500 children’s and young adult titles available for
the Kindle. You can use the Kindle to find books on Amazon and download
them wherever you happen to be. You can also subscribe to newspapers
and have them automatically land in your digital lap.
In comparison, there are around 50,000 books available
in Mobipocket format for the iLiad, of which about 1,000 are juvenile
fiction and about 400 are juvenile nonfiction. Until recently, Sony
Reader users had access to only about 20,000 books in Sony’s
proprietary format, but this past summer Sony announced that it
will be supporting the new EPUB standard for e-books, as well as
additional support for e-books in Adobe format. This move vastly
increases the selection of books available for the Sony Reader and
makes it a much more viable candidate in the e-reader market.
Weighing in at only 9 ounces, the Sony Reader is
the smallest and lightest of the three. At 6.9 inches by 4.8 inches,
it’s roughly the size of a mass-market paperback, fits comfortably
in one hand, and slips neatly into a pocketbook. It’s elegantly
designed and easy to use. It displays eight levels of gray, placing
it between the Kindle’s four and the iLiad’s sixteen.
The photographs that I viewed on the Sony Reader looked acceptably
clear. The only design flaw I found is that the size and placement
of the page-turning buttons makes it difficult to read with one
hand. At $299, the Sony Reader is currently the least expensive
of the three.
Overall, I found reading on all three e-readers
to be a pleasant experience. The electronic paper display was, indeed,
easy on the eyes, and the ability to change the font size allowed
me to customize the display. It was a convenient way to carry multiple
books with me at all times and switch between them at will; all
the e-readers remember where you left off in a book and start you
at the correct page when you return to it. On all three, there is
a slight delay on the page turns; it takes about a second for the
display to update. I didn’t find it bothersome, but my husband
perceived it as an annoying flicker. He reads faster than I do,
though, so I suspect that the delay is so slight that younger children
who are slower readers will probably not be bothered by it. However,
older children and teens who are fast readers may initially find
it distracting.
Using the e-book reader, I did find that I missed
the form of a printed book more than I thought I would. On an e-book
reader, every book has a generic, monotonous look. Centuries of
accumulated experience in book design go into the creation of print
books, and the book you hold in your hands sets up your expectations
in many subtle ways, from the cover design and the size of the book
to the interior typeface and font size. You may not notice the interior
design, but a well-designed book affects how you react to it.
While you can change the font size (making e-readers
an excellent alternative to the often hard to find large-print books),
these devices use the same typeface for every title, giving all
the books a sameness in appearance that left me feeling cut off
from the visual cues I’ve come to expect. This is particularly
true in books for children and teens, where things like font size
and spacing are usually optimized for the target age range.
I’m not the only one attached to the printed
book. I conducted an informal survey on an Internet discussion board
dedicated to literature. The respondents were teens and preteens,
mostly between the ages of twelve and fourteen, who love to read
and are comfortable with technology. Most thought that the e-book
readers sounded cool, but a remarkable number of them said they
would miss printed books. Some like to display their favorite books
on a shelf in their room, and others like to collect autographed
copies from their favorite authors. Some said that they just like
the feel of holding a book. One said, “I don’t think
I would buy one even if it didn’t cost anything. I like holding
a book in my hands, and I don’t know, I like the feeling of
owning a complete series of something like Warriors.” Another
said, “It wouldn’t give me nearly the same sense of
gratification that reading normal books does . . .
Not to mention that paper smells good, especially that in old books.”
These young people, savvy in twenty-first-
century technology, are surprisingly attached to this invention
of the fifteenth.
E-readers will continue to change and evolve over
the next few years, and those changes will make e-books more appealing.
E Ink Corporation has already demonstrated a prototype of a new
version of electronic ink, with color display and faster switching
speeds. Products containing these new enhancements should be on
the market within the next few years. At the same time, advances
in e-book file formats and software will allow publishers to use
typography and other design elements while still retaining the flexibility
needed for e-books. Hopefully, advances in technology will reduce
the prices of e-book readers as well.
In the longer term, there’s no reason why
e-book readers have to look and feel like a tablet computer. E Ink
Corporation is working to develop flexible e-ink displays, even
displays that can be rolled like paper. Once that happens, the format
of future e-book readers is limited only by the imagination. A device
could be made in the form of a book, for example, with an electronic
paper cover and spine, and electronic paper interior pages that
could be turned like the pages of a printed book. When you wanted
to read a different book, the cover and interior pages could all
be changed with the touch of a button. Esquire is making
history as the first print magazine to incorporate an E Ink display
in one of its issues; the October 2008 issue had a two-page E Ink
advertisement embedded in the magazine.
As another alternative, an animation on E Ink Corporation’s
website shows a pen-like device with a scroll of electronic paper
that can be rolled out to read and retracted into the pen to store
it. A new e-reading device, the Readius, has been announced for
a 2009 release in the United States. The Readius will have a flexible
E Ink display that unfolds out of a container the size of a cell
phone. Is it possible that the scroll will make a comeback over
fifteen hundred years after the codex replaced it as the dominant
form for written works?
Whatever form e-readers take in the future, their
development bears watching. There will probably always be a place
for printed books; many people will continue to prefer them, at
least for the foreseeable future, and some books, such as art books,
graphic novels, and children’s picture books — not to
mention pop-up books — will probably always be popular in
printed format. But as more people become accustomed to electronic
books, and as the technology evolves to make e-books more appealing,
the e-book revolution might just happen after all.
Sheila Ruth is a children’s book publisher
and blogger specializing in YA fantasy and science fiction, and
administrator of the Wands and Worlds teen fan community.
 
The Kindle in My Classroom
BY BILL FERRITER
fell in love with an electronic device the other day when my mom
and dad gave me a Kindle for my birthday. Knowing my complete addiction
to reading, my aversion to lugging fifty-pound backpacks filled
with books, and my wife’s frustration with pushing piles of
books around our living room, they figured a digital book reader
would make my day — and they were right.
As a middle-school language arts teacher, I work
with a generation of students who were born into digital nirvana,
and I figured the Kindle would make their day, too. As soon as my
personal
Kindle-love settled, I began thinking about how to use this new
toy in my sixth-grade classroom.
I started with one of my favorite Amazon features:
the ability to browse books from anywhere and download sample chapters
of almost any title. Sitting on my couch one afternoon, I found
about twenty young adult novels that I knew would motivate my students,
and I added their sample chapters to my Kindle. None of the titles
that I downloaded are currently on my classroom bookshelf, yet they
are all hot topics in the cafeteria and at the bus stop. In a matter
of minutes, I’d found a way to give my students access to
teasers for titles that may feed their personal reading needs. The
greatest reward has been watching students read the sample chapters
on my Kindle and then line up at the library to sign out the actual
books.
Oh, yeah — and all of this was free and easy.
Not a bad deal for a cash-strapped, time-crunched public school
teacher.
Next, students signed up to use my Kindle during
our daily silent reading time. Their response to exploring digital
titles was nothing short of overwhelming. About eighty percent of
my
students patiently waited for their turn to try out my new toy —
including kids who never read. While motivation by novelty is not
a long-term strategy for promoting a love of reading in
students, I’ll embrace any gadget that has the potential to
hook a reluctant reader.
My students mastered the Kindle with little difficulty.
I can literally hand the device to a twelve-year-old, show them
where the power switch is, and walk away. Having spent the majority
of their lifetimes figuring out new digital devices, my students
aren’t intimidated by the Kindle at all. They quickly figure
out where the home button is and intuitively work the roller ball
mouse. Making selections and turning pages is second nature to digital
natives.
And almost every kid digs digital books, even though
their reasons vary. Connor — who isn’t naturally drawn
to reading — got a bit of a confidence boost from the variable
text-size options available. “I love how you can make the
text bigger,” he said. “It makes me feel like I’m
reading a ton. I like turning more pages every time I read.”
For Maria — who probably churns through three
books a week — immediate access to new titles was amazing.
“After finishing a book in a place quite far away from a library,”
she wrote, “what are you supposed to do? What if there is
nothing else to do? What then? With a Kindle, however, you could
just download a book in a matter of minutes and continue to read.
Convenience is one of the best things about a Kindle.”
Easily the most attractive feature of digital books
for my students is the idea of never seeing another textbook. Susan
wrote, “Kindles would be way better than carrying around book
bags full of textbooks. Instead, you can carry around a Kindle and
you wouldn’t even need a bag. Don’t you think it would
make life easier?” As a teacher and a taxpayer, I’m
even more jazzed by the potential of electronic texts, considering
how much our district spends on new textbooks that are outdated
within months. I can’t wait for the day when electronic book
readers carry texts that are automatically updated with accurate
content every time the device is turned on.
I was surprised to find out, however, that my kids
weren’t completely sold on digital reading. In fact, many
of them were passionate in the belief that “real” reading
required a paper copy. Consider Leigh’s thoughts: “The
idea of a small device holding all of my favorite books is obscene . . .
A book, to me, should be held dearly and thought of as a portal
to a new and unseen world. I like to hold a book, feel its paperback
or glossy cover and read until daylight blooms from my window.”
“I very much enjoy the physical feeling of turning a page . . .
of feeling suspense build because all of one page’s mysteries
are answered in the next page . . . whereas in a
Kindle, you click ‘Next.’ It’s a dishonor to authors
everywhere!”
Alison agreed. “I like the feeling of a crisp
page on my fingertips. I love turning the page and thinking, ‘Wow!’
Whether it’s old-fashioned or not, I’m going to stick
to the old-school, smudge-on-the-paper type books. I just don’t
think I’m ready for the twenty-first-century kind yet!”
But in the end, my Kindle has been a classroom
blessing. It’s allowing me to motivate reluctant readers and
to give my students access to a wider collection of titles than
I could provide on my own. I’m sure I’ll find more ways
to “Kindle-fy” reading time in my room — and I’m
sure my students will become less averse to digital books.
Right or wrong, they might not have a choice. After
all, digital reading is probably here to stay.
Bill Ferriter is currently teaching sixth-grade
language arts and social studies at Salem Middle School in Apex,
North Carolina. He writes frequently about his experiences with
tools for twenty-first-century learning on his blog, The Tempered
Radical.
| From
the November/December 2008 issue of The Horn Book Magazine |
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