| Pauline
Chen Peiling and the Chicken-Fried Christmas
133 pp. Bloomsbury 10/07 ISBN
978-1-59990-122-0 $15.95
(Intermediate)
Eleven-year-old Peiling Wang, the daughter of Taiwanese immigrants,
and her teacher, Miss Rosenweig, are the only two in Peiling’s
class who don’t celebrate Christmas. This year, however,
Peiling is determined to convince her family that celebrating
Christmas doesn’t mean she’ll forget her heritage.
She eventually wins over her parents but is subsequently disappointed
by her mother’s turkey, with its ginger and soy sauce
marinade and sticky-rice stuffing (though Miss Rosenweig,
who arrives bearing Manischewitz, is impressed). While the
entire Wang family struggles with their identity as Asian
Americans (Peiling’s father says, “I may be a
U.S. citizen but I’m not American”), Peiling also
searches for her own place, as she participates in a school
play and makes new friends. Peiling is realistic and relatable
as a headstrong preteen looking for ways to assert her individuality
while trying desperately to fit in. ELISSA
GERSHOWITZ
Bruce Coville, reteller Hans Brinker; illus.
by Laurel Long
32 pp. Dial 11/07 ISBN
978-0-8037-2868-4 $16.99
(Primary)
Mary Mapes Dodge’s Christmastime tale of Hans, his sister
Gretel, and their long-suffering mother and ill father, first
published in 1865, is here adapted for a picture-book audience.
Hans and Gretel prepare for a skating race while Hans tries
to solve the puzzle of a mysterious watch in their father’s
possession. The story’s climax, in which Gretel wins
the girls’ race but Hans loses the boys’ after
selflessly helping a friend, is unglamorous yet satisfying.
Coville’s author’s note stresses the importance
of Hans as a role model, a character who is “strong
of heart and true of purpose.” While this intent comes
through in the writing, it doesn’t overwhelm the story.
The book’s highlight is Long’s glowing oil paintings,
which are equally effective in illustrating Holland’s
snowy, glittering landscape and the story’s warmer,
more intimate family moments. ELISSA
GERSHOWITZ
Mary Newell DePalma The Nutcracker Doll; illus.
by the author
32 pp. Levine/Scholastic 10/07 ISBN
978-0-439-80242-0 $16.99 g
(Primary)
Young ballet dancer Kepley tries out for a part in The
Nutcracker. She gets a small role that involves no dancing — she’s
a doll standing under the Christmas tree — but her enthusiasm
is big, and ballet fans will share her excitement about being
involved in a professional dance production. Airy pen-and-wash
illustrations convey moments both large and small, from Kepley’s
audition in the high-ceilinged hall lined with girls waiting
their turn to Kepley giggling along with the other “dolls”
during rehearsal. The text thoughtfully keeps the spotlight
on the young dancer’s feelings in a book that’s
as sweet and delectable as a Christmas cookie. J.M.B.
Susan Middleton Elya and Merry Banks N Is for Navidad;
illus. by Joe Cepeda
40 pp. Chronicle 12/07 ISBN
978-0-8118-5205-0 $14.95
(Primary)
“C is for campanas, / at the church down the street.
/ CH is for chiles, / to string, not to eat!” This rhyming
alphabet book depicts the seasonal festivities and customs
celebrated by many Latino families, from the preparations
for the nine nights of Las Posadas that lead up to Christmas
through Three Kings Day in January. An appended author’s
note provides additional information, as does the helpful
combined glossary/pronunciation guide. While Cepeda’s
illustrations feature happy people with such gleaming smiles
they could be advertising teeth whitener, the vibrantly colored
oil paintings vividly capture the scenes of holiday cheer.
J.M.B.
Ian Falconer Olivia Helps with Christmas;
illus. by the author
48 pp. Atheneum 10/07 ISBN
978-1-4169-0786-2 $18.99
(Preschool, Primary)
Although interestingly agnostic on the subject of Santa, Olivia’s
latest disaster-prone caper otherwise wholeheartedly indulges
in every (secular) Christmas motif: snow to be wished for,
a tree to be decorated, lights to be untangled, stockings,
presents, more presents, sledding — and even a dream-Nutcracker
starring you-know-who. Olivia is her customary impetuous self,
and Falconer strikes a spirited balance in letting the words
and pictures tell the story in turn, with a particularly lively
use of photocollage adding wit to the pages. R.S.
Aileen Fisher Do Rabbits Have Christmas?;
illus. by Sarah Fox-Davies
32 pp. Holt 10/07 ISBN
978-0-8050-7491-8 $16.95 g
(Primary)
The original publication dates of these poems span from 1946
to 1991; combined in this posthumous collection, they evocatively
delineate a pastoral, slightly nostalgic conception of a peaceful
winter with Christmas its centerpiece (“Winter has Christmas,
and nothing, / nothing is better than that”).
The child-appealing focus on ordinary wonders like frost and
footprints in the snow is matched by regular meters and rhyme
schemes. Moving the poems through an inconspicuous narrative
arc from autumn onward, Fox-Davies’s soft-edged pencil-and-watercolor
illustrations depict snowscapes populated by bundled-up children
and bright-eyed rabbits and mice, along with the occasional
firelit indoors or muted nighttime scene. The sparkling turns
of phrase (“snow has made pompoms / with silvery handles,
/ and frost has made tinsel / and icicle candles”) and
timeless subject matter make this well suited for the Christmas
canon. claire e. gross
Barbara Diamond Goldin The Best Hanukkah Ever;
illus. by Avi Katz
32 pp. Cavendish 10/07 ISBN
978-0-7614-5355-0 $16.99
(Primary)
It’s looking like the worst Hanukkah ever.
The Knoodle family members have given each other gifts they
really want for themselves — a curling iron from teenage
Shayna to her hair-deficient grandmother, a sparkly red guitar
from Papa Jack to a befuddled Mama Pearl. The distraught family
fetches the rabbi, who teaches the Knoodles that when giving
presents, one should keep the recipient in mind. After this
helpful insight, the gifts are returned to the original givers,
and each ends up with just what he or she wanted. Goldin’s
story is told simply, allowing the reader to figure out the
solution long before the noodlehead Knoodles do. Details in
Katz’s pastel-colored digital illustrations give the
Knoodles real personality (Papa Jack’s ponytail, Shayna’s
braces, the rabbi riding a motorcycle), and all their faces
are comically loaded with emotion on the way to the best Hanukkah
ever. RACHEL L. SMITH
Holly Hobbie Toot & Puddle: Let It Snow;
illus. by the author
32 pp. Little 10/07 ISBN
978-0-316-16686-7 $16.99
(Preschool, Primary)
Best friends (and pigs) Toot and Puddle struggle with what
to get each other for Christmas. They know that “the
best present was usually something you made yourself, a one-of-a-kind
thingamajig, not just a whatsit anyone could buy in a store.”
Hobbie infuses her holiday story of devoted friendship with
cozy language (a plum pudding “kept them merrily stuffed
for a month”), homey settings (inside, an armchair by
the fire; outside, snowy woods perfect for an idyllic cross-country-ski
outing — all evoked in Hobbie’s signature watercolor
illustrations), and nods to earlier Toot & Puddle adventures.
Christmas Day finds the two friends thrilled with their respective
gifts. And Cousin Opal, who had earlier suggested that Toot
and Puddle give each other dolls, isn’t too
surprised by her own Christmas present — she’s one
clever little pig. M.V.P.
E. T. A. Hoffman My First Nutcracker; adapted
by Stephanie True Peters, illus. by Linda Bronson
32 pp. Dutton 9/07 ISBN
978-0-525-47687-0 $16.99
(Preschool, Primary)
Susan Jeffers The Nutcracker; illus. by the
author
40 pp. HarperCollins 10/07 ISBN
978-0-06-074386-4 $16.99 g
Library edition ISBN
978-0-06-074387-1 $17.89
(Primary)
Two Nutcrackers target the youngest segment of the Christmastime
ballet audience, and both succeed in providing a shorter,
lighter take on the sometimes-dark original. Peters supplies
the more accessible pre-ballet introduction, using an assured
storyteller’s voice to emphasize drama and excitement.
Bronson’s accompanying illustrations are bold and jazzy
with lots of turquoise, pink, and purple; energetic, swooping
lines are held under control by page borders showing snow,
stars, or candy. Jeffers uses a calmer, introspective tone
that brings out the characters’ emotional struggles;
her romantic, detail-rich illustrations are based on the Balanchine
ballet, all the way down to the costumes, sets, and even some
staging. Jeffers offers a satisfying extension for a slightly
older audience already under the spell of the ballet. LOLLY
ROBINSON
Harry Horse Little Rabbit’s Christmas;
illus. by the author
32 pp. Peachtree 9/07 ISBN
978-1-56145-419-8 $15.95
(Preschool, Primary)
Little Rabbit is so enamored with his Christmas present, a
red sled, that he won’t let anyone near it — and
he has no interest in playing with his friends’ own
generously proffered holiday toys. When he crashes his sled
and ends up in a snowdrift, his pals kindly come to the rescue,
Molly Mouse on her nifty new snowshoes and bunnies Benjamin
and Rachel with their handy new toolbox and bright new paint
set. Cozy scenes both indoors (Little Rabbit’s burrow
bustling with his many siblings) and out (the woodsy landscape
blanketed with snow) are depicted in the pen-and-ink and watercolor
illustrations. Delivered in such an attractive package, the
story’s message goes down as easily as a sled bearing
a load of good friends. J.M.B.
J. Patrick Lewis Under the Kissletoe: Christmastime
Poems; illus. by Rob Shepperson
32 pp. Wordsong/Boyds 9/07 ISBN
978-1-59078-438-9 $16.95
(Primary, Intermediate)
In Lewis’s collection of poems (all but one previously
unpublished), affable wit and infectious cadence bring fresh
energy to traditional yuletide images. Employing a variety
of poetic forms, from limerick to concrete poem, Lewis limits
himself to fairly simple rhyme schemes but keeps things lively
with generous dollops of enjambment. From the strong syllabic
emphases of “A Brown King” (“That a new
life / From a new birth / Shines a new light / On a new Earth”)
to the winking partial rhymes of “Under the Kissletoe”
(“A miss’ll know / To kiss hello — / The
kiss’ll go / With mistletoe”), each poem is a
study in expressing content through form. Shepperson’s
brightly shaded, borderline
cartoon-y illustrations balance humor with warmth. CLAIRE
E. GROSS
Megan McDonald Judy Moody & Stink: The Holly
Joliday; illus. by Peter H. Reynolds
85 pp. Candlewick 10/07 ISBN
978-0-7636-3237-3 $14.99
(Primary)
Judy needs a whole roll of toilet paper to write her Christmas
wish list, but Stink wants only one thing: snow. Unlikely,
that, in Virginia, but you never know when it comes to this
duo. The good-natured teasing between Judy and Stink lends
intimacy to the festive atmosphere of this easy chapter book;
and full-color illustrations, along with a sparkly snow-dappled
holographic cover, spread the Christmas cheer. R.S.
Patricia C. McKissack The All-I’ll-Ever-Want
Christmas Doll; illus. by Jerry Pinkney
40 pp. Schwartz & Wade/Random
9/07 ISBN 978-0-375-83759-3
$16.99
Library edition isbn 978-0-375-93759-0
$19.99
(Primary)
“Christmas always came to our house, but Santy Claus
only showed up once in a while.” Despite the harsh realities
of the Depression, middle sister Nella sets her sights and
her heart on a store-bought doll. Her sisters scoff (“Why
you wishin’ for somethin’ you ain’ never
gon’ get?”) but change their tune when Nella’s
wish amazingly comes true. Awe quickly turns to anger as each
girl tries to claim Baby Betty — “the color of chocolate,
with rosy cheeks, black curly locks, and thick eyelashes” — for
herself. Strong-willed Nella prevails but soon discovers that
playing with Baby Betty alone isn’t as fun as sharing
her with her sisters. Though McKissack sets this story in
the past, her characters’ feelings and desires are universal.
Pinkney’s warm watercolor-and-pencil illustrations portray
the family’s poverty yet glow with what it is rich in:
love. K.F.
Clement C. Moore The Night before Christmas: A
Magical Paper-Cut Edition; illus. by Niroot Puttapipat
24 pp. Candlewick 10/07 ISBN
978-0-7636-3469-8 $16.00 g
(Primary)
Any new edition of this poem is all about the illustrations,
of course, and the neat, sharp silhouettes of this one prove
an elegant contrast to more sumptuous renditions. Color (red,
green, and a touch of gold) and occasional die-cuts are used
sparingly so as to not pull focus from the flourish-filled
but meticulous line work; a final pop-up spread of the reindeer
in flight would make a handsome table display. R.S.
|