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Best books of 2007

Picture Books | Fiction
| Folklore | Poetry | Nonfiction

Chosen annually
by our editors, Fanfare is The Horn Book Magazine’s
selection of the best children’s and young adult books of
the year. All Fanfare lists going back to 1938 are linked at the
bottom of the page.
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Picture Books
At Night written
and illustrated by Jonathan Bean (Farrar)

Simple but rhapsodic sentences accompany a restless little
girl up onto the roof of her city brownstone, where a cool
breeze and thoughts of the “wide world” send her
to sleep. The book is small and square and quiet, with ink
and watercolor paintings growing from tidy framed vignettes
to full-bleed pictures of the homely rooftop and the luminous
vistas that lie beyond. Review 9/07. (Primary)
The Chicken-Chasing Queen of
Lamar County written by Janice N. Harrington,
illustrated by Shelley Jackson (Kroupa/Farrar)

“Big Mama says, ‘Baby, behave yourself. Leave
those chickens alone!’” But this self-proclaimed
“Chicken-Chasing Queen” can’t help herself,
especially when it comes to one particularly elusive hen.
The energetic text and collage illustrations reflect the African
American narrator’s spirited exuberance; lots of chicken-chasing
sound effects (“pah-quawkkkkk!”; “squawkkkk!”)
will have kids flocking to story hour. Review 5/07. (Primary)
A Good Day written
and illustrated by Kevin Henkes (Greenwillow)

A bird loses his favorite feather; a dog, her leash tangled,
loses her freedom; a fox loses track of his mother; a squirrel
loses an acorn. How all is restored and the bad day transformed
is superbly and concisely conveyed in the economic text and
expressive illustrations, both packed with a preschooler-perfect
measure of drama and suspense. Review 3/07. (Preschool)
Pictures from Our Vacation
written and illustrated by Lynne Rae Perkins (Greenwillow)

A brother and sister (the narrator) are given instant cameras
to record an initially disappointing family vacation, but
once the fun starts there’s little time for photography.
Fortunately, the narrator can keep pictures — memories — in
her mind. The exhilaratingly free format, warm humor, spot-on
perceptions, and quirky visual minutiae capture without nostalgia
the essence of childhood summers. Review 5/07. (Primary)
First the Egg
written and illustrated by Laura Vaccaro Seeger (Porter/Roaring
Brook)

Seeger’s tour de force concept book introduces the order
of things (“First the EGG / then the CHICKEN”),
gradually building to abstract pairs (word/story; paint/picture)
before circling back with a thought-provoking twist to “First
the CHICKEN / then the EGG.” The book’s compact
size, minimalist treatment, clever die-cuts, and color-saturated
pages will entice young philosophers. Review 11/07. (Preschool)
The Arrival illustrated
by Shaun Tan (Levine/Scholastic)

In a wordless graphic-novel-style picture book, monochromatic
yet lavish, a man boards a steamship to find a better life
for his family. The sci-fi setting — with its unusual
food, alphabet, architecture, and technology — turns
readers into refugees themselves, simultaneously disoriented
and awestruck. Small panels propel action- and emotion-packed
stories; detailed larger spreads provide wondrous views of
the new world. Review 11/07. (Middle School, High School)
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Fiction
The Absolutely True Diary of
a Part-Time Indian written by Sherman Alexie,
illustrated by Ellen Forney (Little)

Fourteen-year-old Junior decides to make the iffy twenty-mile
commute from his Spokane Indian reservation to the small town
of Reardan in hopes of gaining a better education. Junior’s
take-no-prisoners cartoons and razor-sharp, vibrantly alive
narration evoke tears and laughs in equal measure; his distinct
voice and tragicomic perspective convey with bittersweet intensity
this benchmark bicultural experience. Review 9/07. (Middle
School, High School)
Becca at Sea by
Deirdre Baker (Groundwood)

In a dozen linked episodes set on a small island off the coast
of British Columbia, readers meet Becca (perhaps ten) as she
establishes her place in her memorably eccentric extended
family. With delightfully preposterous yet insightful detail,
witty dialogue, and a lovingly depicted island setting, this
is a funny, endearing book to visit and revisit. Review 1/08.
(Intermediate)
Someday This Pain Will Be Useful
to You by Peter Cameron (Foster/Farrar)

“I only feel like myself when I am alone,” says
James, and Cameron draws his heartbreaking isolation with
empathy and acuteness. The book’s first-person depiction
of a privileged but disaffected young protagonist at sea in
affluent Manhattan makes it seem very much an “old school”
YA novel, but it has an unmistakably contemporary sensibility
and respect for teen readers. Review 1/08. (High School)
Elijah of Buxton
by Christopher Paul Curtis (Scholastic)

Eleven-year-old Elijah is the first child born free in the
Canadian community of Buxton, a refuge for freed slaves established
in 1849. The gradual narrative evolution from ebullient small-town
escapades to heart-rending depictions of newly escaped slaves,
captured fugitives, and broken families remains true to Elijah’s
perspective, making impossible concepts accessible without
denying them their horror. Review 11/07. (Intermediate)
Red Spikes by
Margo Lanagan (Knopf)

Ten short stories from an award-winning fantasy writer delve
into the crevices of nightmare, temptation, and helplessness
with a mixture of earthy dialect and inventiveness that makes
this collection mesmerizing, sometimes horrifying, and occasionally
funny. Lanagan’s powerfully visceral speculative fiction
is written in penetrating language and with the intensity
of folktale. Review 11/07. (High School)
A Darkling Plain
by Philip Reeve (Eos/HarperCollins)

This final volume in the Hungry City Chronicles brings the
adventures of Tom and Hester, Wren and Theo, and the other
players in the high-stakes conflict between the Green Storm
and the Traction Cities to a riveting, gratifyingly circular
close. The post-apocalyptic setting is vivid, the pace lightning-quick — all
overlaid with an abiding compassion for the human race. Review
9/07. (Middle School, High School)
The Invention of Hugo Cabret
written and illustrated by Brian Selznick (Scholastic)

Young Hugo lives, secretly, in a Paris train station; a mysterious
toy seller, his feisty goddaughter, and an automaton frame
Hugo’s adventures. This groundbreaking work defies genre
classification: neither text nor pictures (dramatically crosshatched
pencil illustrations and movie stills) can tell the story
alone, and Selznick’s ability to make readers feel as
if they’re watching a silent movie is complete genius.
Review 3/07. (Intermediate)
The New Policeman
by Kate Thompson (Greenwillow)

In a contemporary fantasy based on Irish legend, time is leaking
out of the human world; fiddler J.J., fifteen, journeys into
Tír na n’Óg to repair the hole in the
time skin. The open book design (a page of traditional music
ends each chapter) propels readers through the novel; profound
themes packaged in a delectable and unusual mystery make it
spellbinding. Review 3/07. (Intermediate, Middle School)
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Folklore
Beowulf: A Hero’s Tale
Retold retold and illustrated by James Rumford
(Houghton)

With an economy and vigor of language, sinuous visual foreshadowing,
and subtle hints of the Anglo-Saxon epic’s emotional
depths, Rumford tells of the hero Beowulf’s three battles-to-the-death:
with the jealous monster Grendel, with Grendel’s revenge-driven
mother, and with the ravaging dragon who finally ends Beowulf’s
life. Superb on all counts. Review 7/07. (Intermediate, Middle
School)
The Bearskinner: A Tale of the
Brothers Grimm retold by Laura Amy Schlitz,
illustrated by Max Grafe (Candlewick)

An ex-soldier makes a deal with the devil: if he wears a dead
bear’s skin for seven years — without bathing, prayer,
or explanation — he’ll be rich; if he fails, he
forfeits his soul. Schlitz narrates this tale of endurance
and heroism with clarity and grace. Grafe’s dark, full-page
illustrations in deep grays and browns reinforce the haunting
atmosphere. Review 11/07. (Intermediate)
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Poetry
Comets, Stars, the Moon, and
Mars: Space Poems and Paintings written and
illustrated by Douglas Florian (Harcourt)

“Pluto was a planet. / Pluto was admired. / Pluto was
a planet. / Till one day it got fired.” In twenty pithy
poems Florian sums up the heavens, from our own galaxy to
“the great beyond.” With its gorgeous palette
(deep-space blues and gaseous oranges), sweeping vistas, and
ingenious effects (including occasional die-cuts), this is
a cosmic success. Review 5/07. (Primary, Intermediate)
Tap Dancing on the Roof: Sijo
(Poems) written by Linda Sue Park, illustrated
by Istvan Banyai (Clarion)

Park puts her own stamp on a traditional Korean form of poetry.
Whether about the seasons, home, or school, the twenty-seven
sijo have that twist that strikes at common human
experience (thunder’s delayed response to lightning:
“He hates having his picture taken, so he always gets
there late”). Banyai’s playful, retro illustrations
emphasize the collection’s wit and originality. Review
9/07. (Intermediate) |
 
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Nonfiction
May I Pet Your Dog?
written by Stephanie Calmenson, illustrated by Jan Ormerod
(Clarion)

Dachshund Harry trains young readers in kid-meets-dog etiquette,
walking them through when and how to approach a dog and how
to behave around unfriendly or working dogs. The clean-lined
pictures are as simple and patient as the easy text, and the
direct address from dog to child is an appetizing treat. Review
7/07. (Preschool, Primary)
Who Was First?: Discovering
the Americas by Russell Freedman (Clarion)

With elegant simplicity, and aided by a spacious and inviting
book design, veteran history writer Freedman takes a step
back — a big step back — from Columbus
to consider who else may have visited the “New World,”
and when. Evidence of Viking and Chinese voyages is carefully
weighed, and Freedman’s survey of prehistoric migration
and exploration provides an enlightening and provocative context.
Review 1/08. (Intermediate, Middle School)
The Wall: Growing Up behind
the Iron Curtain written and illustrated by
Peter Sís (Foster/Farrar)

The personal crashes into the political in this memoir of
a Cold War childhood by Czech émigré Sís.
Expertly deploying an array of illustrative choices and media,
Sís conveys his theme of artistic liberation from government
oppression, contrasting the crabbed monochromatic lines of
enforced conformity with the sensuous, free palette of the
imagination. Review 9/07. (Intermediate, Middle School, High
School)
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Printable (1-page) list
past Fanfare lists:
1930s & 1940s | 1950s
| 1960s | 1970s
| 1980s | 1990s
| 2000s
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