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In improv comedy there is a hard and fast rule: whatever your scene partner asks you to do, no matter how ridiculous or outrageous, you always answer, “Yes, and…” Saying no ends the scene and cuts off all possibilities. Saying yes continues the scene and provides infinite opportunities. It’s a...
The author, age eight, in an Easter bonnet, hunting for eggs in her yard. Photo courtesy of Laurel Snyder. We talk a lot lately about representation in children’s literature, about the need for all kids to see themselves in the books they read. And, of course, this has been a...
Last summer I had the opportunity to visit the Kerlan Collection at the University of Minnesota, one of the largest archives housing materials related to children’s literature. Amid the sketches, dummies, early manuscripts and correspondences, and many other related paper ephemera and objects, what especially drew my interest was a...
I’m fond of reminding people that Greek mythology isn’t a compendium of dead narratives about long-dead people and distant places, pulled from a dusty old book or scroll. What we now call Greek mythology is what remains of a past culture’s most sacred beliefs — a collection of living stories,...
While I was an active writer in the 1970s and 1980s, I was invited to speak to children in many elementary schools around the country. Most of the students, in the third to sixth grades, were white. The children were interested in my work and the images that were all...
In a 2020 essay called “The Pandemic Is a Portal,” novelist and activist Arundhati Roy wrote, Historically, pandemics have forced humans to break with the past and imagine their world anew. This one is no different. It is a portal, a gateway between one world and the next. We can...
Writing sequels or companion books to my novels has never been tempting to me, probably because I like to think each book accomplished all I’d intended to say. After completing When Zachary Beaver Came to Town (1999), I felt satisfied that I’d finished the story of Toby, Cal, and Zachary....
The mere mention of the n-word is usually cause for conversation and consternation, to put it mildly. Whenever used in a song lyric or a piece of literature, dialogue and debate are quick to follow. Even so, the n-word is a brick wall I occasionally crash into, on purpose, whenever...
“I will not write another lament.” That’s the first line of my poem “Room to Breathe,” which I wrote on May 29, 2020, the day a White Minneapolis police officer was charged with the murder of George Floyd. When the COVID-19 pandemic began, I turned to poetry, since I couldn’t...