Studio Views: The Sculptural Quality

Picture Book Month at the Horn Book

Etching in a nutshell: a polished copper plate is coated with a thin layer of wax (a ground). A sharp metal stylus (an etching needle) is used to scratch lines through the ground exposing the copper. Acid eats (etches) the lines down into the plate. The etched lines are filled with ink, and, under tremendous [...]

Studio Views: Tiny Pieces of Paint

Picture Book Month at the Horn Book

I grew up behind the Iron Curtain. There was a shortage of everything (freedom most of all) — and only one kind of paper, one kind of ink, one kind of paint. I was one happy artist when I became an illustrator in the U.S.A. So many materials! I settled on oil pastels, which I [...]

Studio Views: Ticonderoga #2

Picture Book Month at the Horn Book

My hands-down favorite medium would have to be graphite or lead, the core of a pencil, the material that makes the marks on paper. Lead makes the words, images, idle thoughts (doodles), specific information — crucial and otherwise — visible. With the lead from a pencil I can make thin delicate words and lines, bold [...]

Studio Views: Pulp Painting

Picture Book Month at the Horn Book

Pulp painting is easy to demonstrate, but difficult to explain. But I’ll give it a go. Cotton rag fiber suspended in water (a wet, messy, colorful slurry) is poured through hand-cut stencils (made from foam meat trays) onto a screen (a window screen will do). The result—an image in handmade paper. The paper is the [...]

Studio Views: Sharpie Markers to the Rescue

Picture Book Month at the Horn Book

Markers for art were a happy surprise. I was a pre-marker child and learned to draw and color with crayons. Markers were for addressing packages. Until Best Friends Think Alike, I illustrated my picture books with watercolor and black ink in a technical pen. In designing each of my books, I try to match method [...]

Ed Young on Nighttime Ninja

Ed Young

From the November/December 2012 issue of The Horn Book Magazine: Reviewer Ashley Waring asks Ed Young, illustrator of Nighttime Ninja, about the inspiration for his mixed-media artwork. Read the full review of Nighttime Ninja here. Ashley Waring: When preparing your collages, do you start with an idea for a scene and find the right materials [...]

From the Guide: Artists and Masterpieces

Chuck Close Facebook

This September, contemporary portrait artist Chuck Close’s unconventional autobiography, Chuck Close: Face Book (rev. 5/12), was awarded the 2012 Boston Globe–Horn Book Award for nonfiction. The following are Horn Book Guide–recommended books (including BGHB Nonfiction Honor Award–winner Georgia in Hawaii) for elementary-age readers — some biographical, others historical and artistic overviews, still others instigators for [...]

Editorial: Please Repeat the Question

Neil Gaiman has his own, very good, reasons for asking, “What the [Very Bad Swearword] Is a Children’s Book Anyway?” and you can read all about them, starting on page 10. The question is great, but he doesn’t really have an answer. Don’t feel bad, Neil: here at the Horn Book, we’ve been asking that [...]

Books in the Home: Reading Up

Harry Potter and the Deathly Hallows

Like many writers, I had a reading childhood, but I’ve only recently understood how countercultural my mother was about my reading. My brother and sister and I are close in age, so when I was a child there were no big-kid books and little-kid books; no girl books and boy books. All the books belonged [...]

Review of The Curiosities: A Collection of Stories

Stiefvater_curiosities

The Curiosities: A Collection of Stories by Tessa Gratton, Maggie Stiefvater, and Brenna Yovanoff High School    Carolrhoda Lab    296 pp. 10/12    978-0-7613-7527-2    $17.95 e-book ed.    978-1-4677-0007-8    $12.95 These experimental, unedited short stories showcase the many faces of horror — goth, faerie, ghostly, grotesque, lyrical, vengeful, and nasty-cool. Some clusters of tales are responses to a [...]