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From the Guide: Wordless Picture Books

dematons_holland

Truly accomplished picture book art not only works with and complements a text but also expands on the story, sometimes even offering an alternate version — or stepping in completely when there are no words at all (as with the three wordless Caldecott Honors this year). With sweeping panoramic vistas, zippy gouache cartoons, photos of […]

Do Great Work and the Rest Will Follow

morrison_please, louise

Growing up in the heart of the South, I saw firsthand how people were excluded based on skin color. I was taught that the rules weren’t the same for blacks and whites, but I also witnessed game-changers such as John Lewis and Coretta Scott King, who rose in spite of that fact. I never thought […]

Studio Views: How to Draw Comics the Yang Way

sv_yang_brushpen

When I first started making comics, I drew on 2-ply Bristol board. I inked with a sable hair brush and a bottle of India ink. Why? Because that’s how Stan Lee and John Buscema told me to do it in their seminal book How to Draw Comics the Marvel Way. Like every other 1980s kid […]

Just Enjoy the Pictures: Hand-Crafted Versus Digital Art

Baby Bear Sees Blue

Raise your hand if you find it challenging to determine the media used for picture book illustrations today. Even before computers, art labeled “mixed media” left readers scratching their heads over how the pictures were rendered. Increasingly challenging in today’s digital world is ascertaining whether picture book art is hand-crafted or computer-assisted. For Caldecott committee […]

Studio Views: Pen, Ink, Watercolor, Repeat

locomotive

I began my illustration career with black and white work. I was much more of a drawer than a painter, much more comfortable with line than with color. One of the things that attracted me to the combination of pen-and-ink and watercolor back then was that watercolor’s transparency allowed me to create color pieces while […]

Studio Views

Studio Views

Twenty-six illustrators talk shop in these pieces about tools and techniques. From the March/April 1998 issue of The Horn Book Magazine: Special Issue: Picture Books “Family Albums” by Margaret Miller “My Next Medium” by Chris Raschka “The Sculptural Quality” by Arthur Geisert “Tiny Pieces of Paint” by Peter Sís “Ticonderoga #2″ by Donald Crews “Pulp […]