The elephant was in the room

elmersocksI can't decide if the p.r. disaster that was the Children's Choice Awards last night is exacerbated or ameliorated by the fact that the Children's Book Council website is down this morning (and, according to Facebook) has been offline since the announcements last night.(Edit 11.45AM:It's back up.) I do know that the CBCBook Twitter account went silent for what were supposed to be the big announcements of the night: Author of the Year (Rush Limbaugh) and Illustrator of the Year (Grace, uh, Lee).

Predictably, there's a lot of social media outrage about Rush's win--accusations of inaccuracy in his book, Rush Revere and the Brave Pilgrims; accusations of stacking the deck and/or ballot fraud--but really, it's just people being mad that Rush Limbaugh won. Any inaccuracies are beside the point, because the winner of this award is determined by popular vote. It really is a popularity contest. And if Rush had his Dittoheads auto-voting through the wee hours--well, welcome to the Internet. In the case of the Illustrator prize (for Sofia the First: The Floating Island, a Disney TV-tie-in product), I'm guessing that little kids presented with the webpage of the nominees (all chosen by virtue of being bestsellers) pointed their little fingers at Sofia, screeching "Da one wid da pwincess, Daddy! DA ONE WID DA PWINCESS!!" (I  really am guessing here, as the marketing departments for Simon & Schuster (Rush Revere) and Disney chose not to send these books to us for review.)

The Author and Illustrator of the Year Awards were piled on top of the IRA-CBC Children's Choice Awards some years back because those winners weren't usually very sexy and did not attract sponsorship money or media attention. Now  they have a glam, pricey event and lots of attention. These awards worked exactly the way they were supposed to. But I bet they won't work this way next year.

 
Roger Sutton
Roger Sutton

Editor Emeritus Roger Sutton was editor in chief of The Horn Book, Inc., from 1996-2021. He was previously editor of The Bulletin of the Center for Children's Books and a children's and young adult librarian. He received his MA in library science from the University of Chicago in 1982 and a BA from Pitzer College in 1978.

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Roger Sutton

Sarah, have you read their HUMAN (AND ANTI-HUMAN) VALUES IN CHILDREN'S BOOKS? Spooky stuff. The feminist anti-porn movement was just heating up when i was finishing college, and I remember a friend going on about how any kind of "objectification of women" should be outlawed. I asked her how such objectification would be determined, and she said "we would have a Committee." The CIBC was the answer to her dreams!

Posted : May 20, 2014 02:01


Sarah

As an aside-- I wish that someone would write a book on the movement that included the Council on Interracial Books, as I agree that a longer-view, historical perspective would add a lot to the conversation.

Posted : May 20, 2014 01:19


Sarah

Well, one could also ask the question another way: are there really no lines to be crossed, or do people simply disagree about where the lines are? For instance, would the CBC have gone ahead with the process and awarded Donald Sterling this week? What about a book that advocated for a white supremacist group? What about a book that described children using racial slurs? A book promoting hate crimes? When we're not discussing the freedom to write or to have books on public library shelves, but the question of honoring books, is the argument truly an absolutist: ideology doesn't matter? Personally, I do think Limbaugh should have been disqualified. (And certainly at the very least the future name of the award should be changed from "children's choice.") I realize others see this as a form of censorship or an imposition of personal values on a process they think is impartial. But my larger question, beyond this particular case, is with the idea that it's possible to disengage from ideology. I think the idea that one can separate out ideology and thereby be impartial is itself ideological and very partisan, and that it often conveniently preserves the status quo. I'm saying that the fact that these questions are difficult, messy, uncomfortable, full of meaningful disagreement, and in some ways unanswerable isn't a reason not to ask them, or to completely avoid drawing lines and deny that partisan judgments are already being made. I'm not just speaking theoretically, either. For instance: if the make up of the Caldecott committee this year had been predominantly Native people, would those members have judged the artistic value of Locomotive differently? If the director of the CBC were Native, would the decision to proceed with honoring Limbaugh have been different? If leaving aside questions of ideology doesn't reflect impartiality, but rather who has the power to make the judgments, is that something different?

Posted : May 19, 2014 08:17


Roger Sutton

I'm not sure what you're saying, Sarah. Should the CBC have not included Limbaugh's book on the ballot because he is racist? Or is the book racist (I haven't read it)? Should the CBC change its criteria for finalists so as not to rely strictly on sales figures? If they ARE going to vet their finalists with some kind of ideological test, do you really think everyone will be happy? I don't. We don't even have to go into some kind of theoretical space of non-relativism to see that determinations of racism in children's books are more incoherent than not. You seem to be thinking that "yes, but what about those authors/books that really ARE racist," as if there's going to be agreement in the room. There isn't. It's not a theoretical question steeped in relativism, it's an actual question that gets asked all the time. See JAKE AND HONEYBUNCH GO TO HEAVEN, THE SNOWY DAY, THE SIGN OF THE BEAVER, THE ABSOLUTELY TRUE DIARY OF A PART-TIME INDIAN, TO KILL A MOCKINGBIRD, LITTLE BLACK SAMBO . . . . (Forgive the caps, I'm not shouting!) All of these books have been accused of racism; all have their defenders as well. What would you have us do?

Posted : May 19, 2014 01:54


Sarah

I'm still intrigued by the number of people who've asserted that their concern is not with Limbaugh's ideology, but with the commercial aspects of both his authorship and the selection process. It feels particularly noteworthy given the context of the ongoing We Need Diverse Books campaign and discussion, and other recent conversations like the one spurred by the Junot Diaz piece in the New Yorker, MFA vs. POC. The reluctance to engage with the question of Limbaugh's racism (or at least with the question of whether it should have any bearing on his receiving the award) feels-- to me-- to be tied to a larger reluctance when it comes to including questions of race and representation in the evaluation of children's books. I do often feel like an allegiance to the notion of subjectivity, and a belief in the value of remaining impartial in the face of those potentially subjective perspectives, can lead to a paralysis of relativism. If people might disagree on what constitutes stereotyping or problematic representations (or believe that prejudice equates to a form of diversity)-- better just to leave those questions for readers to sort out. Even to engage with questions of race seems to bring the discomfort of potential censorship or "politicization," so these questions are often simply avoided when it comes to awards or recommendations. I guess I'm just not convinced that this approach is either truly impartial, or one that serves the field well. The discomfort some feel with this avoidance is nothing new, either, I guess. It also seems worth noting here that in 2009, years before the NBA issued a lifetime ban to Donald Sterling, Limbaugh was forced to drop his own bid to become one of the joint owners of the St. Louis Rams. Players and officials objected to his history of racist comments, and declared that because of it he had no place in their league. DeMaurice Smith, at that time the executive director of the NFL players, wrote of his objection to Limbaugh: "...sport in America is at its best when it unifies, gives all of us a reason to cheer, and when it transcends. Our sport does exactly that when it overcomes division and rejects discrimination and hatred." Children's literature may have no romantic mandate for unity, but refusing to honor discrimination and hatred seems like something we might agree on. http://m.espn.go.com/nfl/story?storyId=4562338&src=desktop http://mediamatters.org/mobile/blog/2012/03/07/the-20-worst-racial-attacks-limbaughs-advertise/184776

Posted : May 17, 2014 01:06


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