Ponyo

Wow, what a great movie. I'd gone in expecting another Spirited Away, which I found gorgeous but rambling and portentous and adult, but Ponyo is a true kids' movie. That's not to say I didn't have a fine time playing spot-the-allusion--forget "The Little Mermaid," Ponyo has The Magic Flute all over it--but the heroes seem like true five-year-olds. I also loved the way the human boy, Sosuke, interacted with his mother Liz Lemon--needing her, disregarding her, helping her--and always from the point of view of a kid, not from an adult's idea of how a kid should view things. It's great, too, in a world of airbrushed Pixar animation, to see moving pictures again--when was the last time a cartoon showed what looked like a hand-drawn line? And, best of all, I never once heard a joke or saw a scene that seemed intended as a sop or wink to the adults in the audience, something even the best Pixar movies do regularly. I love the fact that even nine-year-olds might feel too old for this film.

I think Sendak would adore this movie--it was preceded by a preview of Where the Wild Things Are and, truth be told, I felt a little worried by the wooden dialogue. But let's wait for the whole thing.
Roger Sutton
Roger Sutton

Editor Emeritus Roger Sutton was editor in chief of The Horn Book, Inc., from 1996-2021. He was previously editor of The Bulletin of the Center for Children's Books and a children's and young adult librarian. He received his MA in library science from the University of Chicago in 1982 and a BA from Pitzer College in 1978.

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thedotdotdot

>I adored Ponyo, and had a special appreciation for the sheer amount of responsibility he had, and how his mother trusted him enough to talk to him as a person.

I think the problem I had with the Where the Wild Things Are trailer is not the stilted dialogue, but that the voices lacked a resonance that I would expect from a large creature. The sound was...flat? Maybe that's it.

Posted : Aug 25, 2009 01:51


Roger Sutton

>Brooke, that's the Magic Flute thing--Sarastro and the Queen of the Night, the parental figures to the young heroine Pamina, are scary and powerful but only ambiguously at cross-purposes, and once Tamino proves his love (in a test very much like the scene in Ponyo where the two kids walk through the tunnel) all is well. The friend who came with us pointed out that this dynamic is at work in The Golden Compass, too.

The Wagner allusions are neat--Brunnhilde (whose famous Ride is quoted wittily in the Ponyo score) is the daughter of Wotan, the king of the gods, and Erda, goddess of the earth, who dumped his sorry ass before the opera begins. That Brunnhilde also has a gaggle of sisters. Things do not end happily for her, however.

Posted : Aug 24, 2009 11:59


Nina

>Roger, I was so focussed on the Wagner I didn't even notice The Magic Flute...but of course it's all there as well. And how wonderful to have such a complex movie that's truly for LITTLE kids. Just goes on to prove what a genius he is...

Posted : Aug 24, 2009 09:42


Brooke

>Probably one of the only recent films that managed to enthrall all three of my children at the exact same time. They're aged two, four, and six, and I relished this small miracle and was able to actually watch and enjoy the film myself!

One of the things I appreciate about Miyazaki's films is a lack of a villain in the story. There may be antagonists, but they usually prove themselves quite sympathetic towards the end -- in the case of Ponyo, it's an evil wizard who is eventually revealed to be more of an overprotecive father with a seriously bad case of Anime Hair. Love it.

Posted : Aug 24, 2009 09:12


chelle

>I love his movies - can hardly wait for it to arrive upstate.

Posted : Aug 24, 2009 04:55


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