>I think it was at the Library of the Early Mind screening last November that someone asked me if there were any taboos left in children's literature.
>I think it was at the
Library of the Early Mind screening last November that someone asked me if there were any taboos left in children's literature. Abortion, I said, and I've been thinking about this again since
Ross Douthat's NYT column on Monday. On his way to a conclusion that is more morally complicated than Douthat acknowledges, namely, that more abortions means fewer babies available for adoption, he does begin with a true point about abortion's odd absence in movies and on TV:
The American entertainment industry has never been comfortable with the act of abortion. Film or television characters might consider the procedure, but even on the most libertine programs (a “Mad Men,” a “Sex and the City”), they’re more likely to have a change of heart than actually go through with it. Reality TV thrives on shocking scenes and subjects — extreme pregnancies and surgeries, suburban polygamists and the gay housewives of New York — but abortion remains a little too controversial, and a little bit too real.
This is even more true in fiction for teens, where, given that genre's penchant for melodrama and themes of personal crisis, you would think abortion would show up with some frequency. I free-text-searched the word "abortion" through the
Horn Book Guide, and while I found solid representation of the topic in nonfiction, there were only a dozen occurrences of the word in reviews of all hard cover fiction for youth published in the last twenty years. Don't you think that is strange? It's true that the heyday of the problem novel came before the
Guide started keeping track of such things, but even from back then I can only remember a book called
Unbirthday, a paperback original from Jean Feiwel's great Flare imprint at Avon, published in 1982. It's also true that the
Guide doesn't review paperbacks, and I'm guessing Gossip Girl and her ilk must have encountered the subject a time or two.
YA authors and publishers don't shy away from much, which is why they tend to get into trouble, but why is Ellen Hopkins the only one trying to get in trouble with this one?
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Angela Craft
>@11:33 PM Anonymous: Examples like "far fewer high school students get abortions than most adults think" don't exist in a vacuum. For so many teenagers, abortion is a difficult option to access - parental consent laws and overall availability of abortion clinics are the first two impediments that come to mind.It seems to me there are more books about child and drug abuse than abortion - is that supposed to mean that teens are more open about those subjects than abortion? One of the excellent things about books is they allow individual readers to address topics that may be considered taboo by their society but they still have a burning interest/need to know more about.
Also, as I mentioned in my first comment, I'm not even looking for novels that are about actually having an abortion - I just want to see it addressed in the hugely popular "pregnant teen" genre. Yes there are real life impediments that can make actually attaining an abortion difficult, but that doesn't mean the average teenage girl faced with an unexpected pregnancy wouldn't consider it as a legitimate option.
Posted : Jan 06, 2011 03:34
Anonymous
>It's been fourteen years, but abortion was very much a taboo subject in my high school. Maybe the limited number of books on the subject somewhat reflects what teenagers are willing to be open about? Also, as I've pointed out in other places when the subject's come up, statistically far fewer high school students get abortions than most adults think.Posted : Jan 06, 2011 05:33
Reader
>Every Little Thing in the World by Nina de Gramont, published this past March by Atheneum, faces the abortion issue head-on. The Horn Book Review gave it a positive review which used the word "pregnancy" but not "abortion":Every element of sixteen-year-old Sydney's summer experience canoeing in a remote region of Canada is colored by her unplanned pregnancy. De Gramont's willingness to explore her protagonist's decision over a period of weeks, as mediated by various friends and as measured by different ethical considerations, gives the book a depth uncommon among novels exploring the decisions a teen pregnancy forces.
Posted : Jan 06, 2011 12:29
Anonymous
>Fast Times at Ridgemont High. It's dealt with very straightforwardly, and the 15 year old protagonist has no regrets.Posted : Jan 05, 2011 08:13
Leila
>The two that immediately come to mind for me are Rachel Cohn's Gingerbread and Crutcher's Staying Fat for Sarah Byrnes. But in the Cohn, the abortion takes place before the book starts (I *think* -- it's been a while), and in the Crutcher, it's a secondary character.Also: Dirty Dancing!
Posted : Jan 05, 2011 07:03