>Three agree

>The three publishers I interviewed at the Foundation for Children's Books event at Boston College last Tuesday were more alike than they were different, we concluded--at least when compared to the New York behemoths Random House, HarperCollins and Simon and Schuster. I had always thought Houghton, represented at B.C. by children's editorial director Margaret Raymo, was the most New-Yorky of the Boston crowd, because of both its Clarion outpost there and its old-school reputation. But its celebrity books are all children's-book celebrities, most notably Curious George (whose recent incarnations seem more Hollywood than New York anyway). Liz Bicknell, editorial director of Candlewick, said that they had tried a celebrity book but it bombed. Charlesbridge, there in the person of executive editor Judy O'Malley, has fed us M&Ms, but it's peanuts compared to what Kit Kats are doing for Harper. (Oh of course I'm kidding. But, do you know, I always thought that M&Ms donated their likenesses to the charitable purpose of educating children in the service of arithmetic and consumerism and the self-serving purpose of free advertising, but former Charlesbridge guy Dominic Barth told me that Charlesbridge was the paying partner.)

I began the evening by asking the publishers their roads into the Wild Wood (Liz, happenstance; Judy, fashion magazines; Margaret basically grew up at Houghton) and then we talked about how publishing looked different today. M-O-N-E-Y. We also discussed i-n-t-e-r-n-e-t, the (relative) dearth of picture books (all three published have been publishing them in consistent numbers), and agents (Liz said you don't need one, but only Houghton and Charlesbridge are accepting unagented submissions).

In this kind of a program it's always hard to judge what the audience already knows, what they want to know, and what is just insider baseball and/or gossip. I hope we respected the balance, but I think I talked too much.
Roger Sutton
Roger Sutton

Editor Emeritus Roger Sutton was editor in chief of The Horn Book, Inc., from 1996-2021. He was previously editor of The Bulletin of the Center for Children's Books and a children's and young adult librarian. He received his MA in library science from the University of Chicago in 1982 and a BA from Pitzer College in 1978.

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Anonymous

>one might infer from the NCBLA report that only one editor had something worth hearing. which one was it?

Posted : Feb 09, 2007 03:24


The NCBLA

>The Foundation for Children's Book panel on "What Happens Next in Children's Books?"was of great interest and Roger Sutton's questions and comments were as thought provoking as the editor's.

For anyone interested, the NCBLA has a report and observations on the panel at: http://thencbla.blogspot.com/2007/02/what-happens-next-in-childrens-books.html

Posted : Feb 09, 2007 02:14


Anonymous

>I'm probably in the minority as an aspiring writer who would rather see all publishing houses require agents. I think jumping through the hoop of finding an agent culls a lot of chaff right out of the gate. A friend of mine is in publishing and the slush pile sounds like the Third Circle of Hell. Call me crazy, but I don't want my meticulously crafted (as well as compelling and moving :-) work read by someone who has spent eight hours sifting through the literary equivalent of William Hung performances. I went to two conferences, they didn't blow my skirt up, so it seemed more cost-effective to me to seek mentoring from instructors at my local university. Since it's hard to meet editors without going to conferences, I'll seek representation for my first novel.

Posted : Feb 08, 2007 07:28


rindawriter

>P.S. I do have to quibble just a little with the comment above about the "more serious writer" appearing at conferences, retreats, etc.
Ahem, ahem...I sold my first picturebook on my own, through ye goode, olde slushie pile, without ever MEETING another writer...and although I am not always serious when I write (writing goofy stuff), writing has become a serious secondary addiction...secondary to reading, that is....

Editors MIGHT be missing some tasty goodies in the talent pool if they are only relying on submissions from writers who have the extra $$$ to attend conferences, retreats, etc. Some of us out there would rather spend the $$$ on postage and computer updates....

Posted : Feb 07, 2007 05:26


rindawriter

>Thanks for the detailed information, very interesting to reflect on...

Posted : Feb 07, 2007 05:44


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