>as my grad school roommate would call them, are consuming a great deal of my time just now, as we read and read in preparation for selecting our annual Fanfare list to be published in the January issue.
>as my grad school roommate would call them, are consuming a great deal of my time just now, as we read and read in preparation for selecting our annual
Fanfare list to be published in the January issue. More than a dozen of the titles on the longlist are first volumes, middle volumes, last volumes--the question is, how do you fairly judge them? Need they "stand on their own"? (For a Newbery, they do.) Can a first volume be comprehensively assessed without the reader knowing what the author has in store for the next?
Octavian Nothing, for example, seems to stand alone--but what if volume two reveals it all to have been a dream? Or what if I
feel like the last
Bartimaeus book stands on its own, but someone who has read both of the preceding volumes assures me I am missing a ton? Should an excellent middle book
not stand alone?
Then there are the books you thought were over at one blow but NO. Like
The Giver. And surely there are those (examples, anyone?) that never see the finish, like TV leaving us with the aliens taking over Florida (
Invasion) or the hunky psychiatrist screaming at the sky (
Huff). I hope when Lemony Snicket called his last book
The End, he meant it.
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Stella
>I read "The Subtle Knife" before "The Golden Compass" and I still loved it.Granted, I was in, what, sixth or seventh grade when I read it? So I didn't mind that much about the little things that I didn't understand plotwise. The characters were still fabulous, and the story was amazing. It was simply a good book, regardless.
Posted : Nov 12, 2006 07:51
Roger Sutton
>But I don't know that "incomprehensible as a stand-alone book" is a bad thing. Why should a story be limited to one volume? Is it wrong to have to say, "No, you need to read The Golden Compass first"?And as (my) little brother points out, series take different forms. Some, like Tolkien's or Pullman's or Rowling's need to be read in one order; others are more forgiving, accreting details and back stories as they go but still allowing each volume to work alone--my current favorite series, Donna Leon's about Detective Brunetti, works this way.
Posted : Nov 09, 2006 07:59
Melinda
>Now, your magazine itself said that "The Subtle Knife" would be incomprehensible as a stand-alone book. Hem hem.Posted : Nov 07, 2006 09:30
Kat
>a fat bookAh, give me a fat book, that sucks me in, fills my thoughts, and makes me crave more. Stand alone. Absolutely. But, if there is a last sentence, a last paragraph, an ending that alludes to oh, so much more, all power to that author. Give me a story. That's all I ask. Don't teach me, unless it is unwitting, don't preach to me, unless it is called for, but by all means, drag me somewhere that I have never, but long to be. That is the essence. That is the trilogy. I will wait. I will crave. I will buy. Best, yet. Let me find a trilogy that I have never found before. One that is finished and I will read you, devour you, in one sitting, one breath, one escape from life. That, my friends, is a bit of heaven!
k
Posted : Nov 07, 2006 08:01
YS Doug
>I don't like being thrown a "twist" at the end that forces me to continue a story. Sequels have become sub-par excuses to make us keep reading / buying, really inspired by movie franchises. Beginning, middle, end... close the book.Regarding "Lost," they are ending mid-season this week and returning in February or March to complete the season. This is an effort to rectify the situation from last season, when nearly every other week was a repeat or a recap.
Posted : Nov 07, 2006 05:06