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In The Thing about Luck by Cynthia Kadohata, Summer has important duties to fulfill as the daughter and granddaughter of migrant harvest workers, and she must also meet the daily demands of her traditional Japanese grandparents. Summer’s multi-generational family and their lives as agricultural workers are facets of contemporary American culture that may be unfamiliar to many young readers — or adults for that matter. How does Kadohata invite all readers into Summer’s story while maintaining her family’s distinct experience and perspective? What surprised, delighted, or intrigued you most about Summer, Jaz, Obaachan, and Jiichan? We are currently offering this content for free. Sign up now to activate your personal profile, where you can save articles for future viewing.
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Liz Goodenough
In addition to speaking to an outside audience as Nicole mentioned in her post, Kadohata invites us into Summer’s story by making familiar things new to the narrator. In the summer of The Thing About Luck, Summer experiences parts of her identity – sister, granddaughter, agricultural worker, pre-teen – for the first time without her parents. Summer feels responsibility for the work and for the people around her differently without them. On their first afternoon making lunch, she notices, “If I’d been with my parents, I wouldn’t have to participate in finding the store. They would take care of it. But with Obaachan, who could say what would happen?” (70). She shares both the newness and familiarity of the work, her relationships, and independence with the reader. Another way the author invites us into Summer’s world is through her schoolwork: analyzing Separate Peace. The way she understands Finny and Gene mirrors the way she understands the people around her. Travis and Nicole both mentioned the connectedness she feels to living things and the difficulties she has connecting with and understanding her family and the other members of the Parker team. Toward the end of the novel, Summer reflects that all people are complicated, and that there are good things and bad things inside everyone. Her book report helps her make sense of the people around her – particularly Obaachan, as Nicole mentioned. Kahohata takes care to develop each of the characters in the novel with both good and bad. I think readers can relate to Summer’s experience and also learn about her unique world through the good and bad of all of the characters. Mrs. Parker is overbearing and caring. Mick is taciturn, and heartbroken, and dependable. There are no all good or all bad characters. The stress of the agricultural work, which is present throughout the book, is personified in Mr. Parker. Summer notes, “I could almost feel Mr. Parker’s torment pulling him every which way. Be nice. Be firm. Be nice. Be firm. Take care of the people. Take care of the crops” (221). I was intrigued by the title. As I was reading, I expected there to be a more obvious revelation about luck. At the end, I am still intrigued by the title – what is “the thing” about luck? Like Travis mentioned, Summer ultimately comes to peace with the idea that you do what you can do. Sometimes bad things are no one’s fault. The end of the novel, Summer announces that their luck has finally changed. However, Jiichan’s final story has good and bad in it but because he and his brother remember the good, it’s lucky. Maybe she also learns the thing about luck is that it depends on how you look at things.Posted : Oct 26, 2014 06:55
Nicole Shelpman
Kadohata wrote The Thing About Luck from Summer’s perspective, and throughout the novel, Summer displays an awareness that she is telling her story to someone. She therefore carefully explains the parts of her experiences that she thinks readers may not understand. She takes special care when describing her family’s role in the agricultural community; through diagrams and detailed descriptions, she helps the reader understand the work of custom harvesters. She also immediately shares her Japanese identity with readers when she begins her story by saying, “Kouun is ‘good luck’ in Japanese, and one year my family had none of it.” In addition to her identity as a Japanese-American and a member of the custom harvesting team, she is also an older sister, a granddaughter, and a pre-teen girl trying to grow up, and Kadohata allows the reader to see how all of these elements of her identity intertwine. I was most intrigued by Summer’s relationship with her grandmother, Obaachan. Summer struggles to understand her grandmother, as indicated in the following quote near the end of the novel: “I lay in bed thinking, trying to figure it all out. There was Obaachan the ogre, and there was Obaachan who let me sleep late….There was Obaachan who supposedly lived at the hospital when I was sick, and there was Obaachan who taunted me for, well, for everything….it seemed like there were two Obaachans—the good one and the bad one.” According to Summer, her grandmother is often extraordinarily tough on her, but Summer also recognizes the kind, loving side of Obaachan. Summer’s reflections about her grandmother demonstrate a growing maturity, and this is one reason that makes this a coming-of-age novel. Summer is learning that there are different ways to show love for someone; while Obaachan seems rough on the surface, she is also trying to care for Summer as well as she can. By reflecting on why Obaachan acts a certain way, Summer is developing the ability to view the world from someone else’s perspective, and she is figuring out how to better relate to her grandmother. Sometimes Summer is exasperated by Obaachan, and sometimes Obaachan is exasperated by Summer, but they both find ways to show that their relationship is important to them.Posted : Oct 24, 2014 01:12